The New Yorker at 90: The Art of Great Cover Art

It’s easy to love The New Yorker. Their editorials, criticism, opinion, reporting, poetry, and celebrated cartoons have consistently set a gold standard of excellence for publishing.  The venerable magazine is celebrating 90 years of groundbreaking, respected coverage of much more than the New York literary scene, and must be basking in the accolades from readers and critics. You know you’re pretty influential when bloggers take the time to praise and interpret the shape of just one letter in your masthead!

The New Yorker covers provide a master class in creative illustration and graphic design. Timely and often controversial cover art is a mainstay of the magazine as the New York Times notes the covers have taken a distinctive shift “from polite to provocative.” The editors seek out innovative artists who movingly capture the nation’s excitement, fear, contradictions or spirit in a graphic image that gets noticed, sells magazines and ultimately proves the enduring power of print.

Great graphic design brings order and meaning to a complex or hard-to-define subject – and The New Yorker covers excel at that. Wit and creativity are needed to illustrate a complex point of view or clash of points of view in a deceptively simple artwork. Some magazines rely on the excitement and buzz generated by a controversial cover image simply to get attention for attention’s sake – think Sports Illustrated’s swimsuit issue or the outlandish banner headlines of the tabloids. Conversely, The New Yorker covers do more than exploit an event’s moment in the mainstream spotlight – and they often make news in and of themselves.

Often a great cover image becomes indelibly linked in our minds to the events or topics they address. As the covers below prove, the creation of a great cover illustration also has a story behind the scenes that is equally interesting:

The New Yorker Covers
© The New Yorker

Sept. 24, 2001: read the story behind the uncredited cover commemorating the tragedy of 9/11.

Dec. 8, 2014: Bob Staake’s poignant illustration of the racial divisions in Ferguson, MO.

July 21, 2008: “The Politics of Fear” by Barry Blitt – one of the most satirically controversial covers in The New Yorker’s history.

 

The New Yorker Covers
© The New Yorker

July 8, 15, 2013: “Moment of Joy” by Jack Hunter, celebrating the defeat of the Defense of Marriage Act (DOMA).

Jan. 19, 2015: “Solidarité” by Ana Juan, memorializing the massacre at the French satirical magazine Charlie Hebdo.

Dec. 16, 2013: “Madiba” by Kadir Nelson, for the passing of Nelson Mandela.

 

To show the importance of cover art to the magazine’s essence, The New Yorker decided to print not one but 9 different covers – one for each decade – for it’s special anniversary double issue. Each image seeks to bring the iconic cartoon dandy Eustace Tilley who appeared on the first cover in 1925 into the 21st century. And in order to ensure they stay as relevant and dynamic in the next 90 years as they have in the past, the magazine just hired ad agency SS+K to steer and coax it’s brand progression.

 

 

 

Call us at 828.684.4512 for any marketing needs. As a printer, we understand communication and design. Your printer should be able to provide you with the latest information, inspiration, technical advice, and innovative ideas for communicating your message through print, design and typography, signage, apparel, variable data printing and direct mail, integrated marketing and environmentally responsible printing. If they can’t, you have the wrong printer! The best advice, always, is to ASK YOUR PRINTER!

ImageSmith is now partnered with Extreme Awards & Engraving – our in-house partner providing custom engraved trophies and awards for employee recognition programs, sporting events, and promotional needs. With our new sister company, we will be sharing space, resources and expertise in a collaboration designed to further provide you with one place to meet all of your marketing needs… Under One Roof! Visit them online at www.extremeae.com or call direct at 828.684.4538.

 

 

Call us at 828.684.4512. ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your print and marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.

Explore the World’s Most Expensive Printed Book: The Bay Psalm Book

 

Fan of the long s? Then you should enjoy the finging the pfalmes from the most expensive book ever published. Read on for some interesting facts about this record-setting publication and how you can perufe every page:

Bay Psalm Book Preface

The Bay Psalm book, a small Psalter, holds two world records. It was the first book printed in British North America, of which only 11 are known to exist, and now it has sold at Sotheby’s in New York City, for the highest price ever.

  • The price? $14,165,000, which was actually lower than some pre-auction estimates that ranged as high as $30 million.
  • The new owner? David Rubenstein, entrepreneur and philanthropist, plans to generously lend the book to libraries and exhibits. Rubenstein also bought a copy of the Magna Carta in 2007 for $21 million.
  • The printer? This book was, amazingly, printed a mere 20 years after the Pilgrims landed at Plymouth Rock by Stephen Day, the first colonial American printer.
  • 1,700 copies were originally printed. Only 11 are known to still exist.
  • The previous highest price paid for a Bay Psalm book? $151,000 in 1947. At the time, that was also a record for a printed book. Quite an appreciation in value!
  • Sotheby’s website includes fascinating detail about the publisher, printer and the creation of the book, its many errors and other printing details. If you are a printer, you’ll find out all about everything from watermarks, hyphenation and typesetting to quartos, folios and financing.
  • Typos? Oh yes. Even at the time, the Bay Psalm book was criticized for its poor quality of printing and abundant errors. Misspellings, inverted commas instead of apostrophes, uneven inking…. nobody’s perfect, right? A critic, over 200 years ago, noted the book “abounds with typographical errors” and said the printer “must have been wholly unacquainted with punctuation.” (source)  Ouch.
  • Other firsts in 1640? The first Finnish university was founded in the city of Turku. The first European coffee house opened in Venice. Charles I (another first) was on the English throne.

And best of all… you can study every page of the Bay Psalm book online for free, courtesy of the Old South Church in Boston (the same church where Benjamin Franklin was baptized).

Digital Bay Psalm Book

 

 

 

ImageSmith is proud to be a printer in an exciting era of digital communication. Your printer should be able to provide you with the latest information, inspiration, technical advice, and innovative ideas for communicating your message through print, design and typography, signage, apparel, variable data printing and direct mail, integrated marketing and environmental responsible printing. They should also be able to work with you to solve any difficult prepress issues with your files. If they can’t, you have the wrong printer! The best advice, always, is to ASK YOUR PRINTER!

Call us at 828.684.4512. ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your print and marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.

Newsweek’s Prophetic 1993 Vision of the Future

Cover story on Interactive Technology from Newsweek

We came across this magazine recently in our shop. Twenty years ago, the May 31, 1993 edition of Newsweek featured a cover story that envisioned what the future might hold once information began to race along a looming “superhighway.” While this fast approaching digital revolution was undeniable, the details of how it would change everyday life for all of us were largely unclear. Change on that scale is both exciting and intimidating, as we all have learned over the past two decades. With speculation rampant, Newsweek journalists Bill Powell, Anne Underwood, Seema Nayyar, Charles Fleming, Barbara Kantrowitz and Joshua Coooper Ramo envisioned a surprisingly accurate overview of how technology was preparing to change our lives.

Arguably the most impressive techonological accomplishment during my early childhood was the NASA moon landing. I remember being aware in 1969 that my grandmother, who lived with us and was born in the 1890s, had been my age at a time when even flight seemed a ridiculous concept. Now she was sitting beside me watching a man step out onto the moon’s surface. That fast pace of change in one lifetime has of course continuted to accelerate. The world of 1993, only twenty years ago, stood on the cusp of the digital revolution, although the term “internet” was still largely unknown. 27% of American households had a home computer, but many admitted to using it less than 5 hours a week! Fiber-optic cable was far from universal, movies were rented at brick-and-mortar stores to be viewed on VCRs. The CD ROM was an amazing new invention that could store video, music or text on one disk but needed a specialized player to be accessed.

In their focus on the potential of what was about to happen, Newsweek chose the concept of “interactivity.” The future would allow consumers to be participants in their consumption of entertainment and services, no longer just a “couch-potato” who passively viewed and absorbed information. The missing pieces in 1993 for this sea change were the expansion of fiber optic cable networks to connect us, and huge investments in infrastructure, technology and content that the major players in the cable, communications and entertainment sectors were deploying. Looking ahead from this landscape in 1993 with amazing prescience, Newsweek envisioned:

  • Video phones with clear pictures (and lens covers to ensure privacy)
  • “New age goggles” and virtual reality that a “mighty computer” would be able to deliver
  • Lightweight, compact laptop computers. “Work will never be more than a keystroke away.”
  • HDTV with a sharper than ever screen picture
  • Software to be used for education.
  • “Viewer-directed” movies and video games where the user can choose alternate endings or direct the entire action.
  • On-demand movies and channel selections. (In 1993, only one network in California offered “interactive TV programming” where you bought a device for $199, then paid $15 to interact with game shows or predict sporting events.)
  • An early concept of “icons” on a computer screen that search the “superhighway of information” for news uniquely tailored to a person’s interests…. and then connect to other people with those same interests – social media in it’s infancy!

A central concept our 1993 world had trouble envisioning was through what devices in our households would we be accessing this interactivity, and who would be paying to do so. Would it be through our TVs, phones or personal computers? If these “smart boxes” as Newsweek calls them, grow too complicated, would people want to deal with them after a long day’s work? How much would we be willing to pay to access banking, entertainment, or investment information?

This article also accurately foresaw the dilemnas and coming ethical conflicts our new interactivity would generate:

  • Al Gore was advocating for a “scheme to build a nationwide fiber-optic network,” and is quoted as saying this “data superhighway” will be the ” ‘most important marketplace of the 21st century.’ ” – He got that right.
  • “It’s quite possible that some entrepreneur in a garage is coming up with a really new idea that will forever alter the best-laid plans.” – A premonition of Zuckerberg and Facebook, perhaps?
  • “Who will protect the privacy of consumers whose shopping, viewing and recreational habits are all fed into one cable-phone company data bank?” – an early understanding of the complexity of privacy issues that abound today.
  • “The government could electronically spy on individuals; bosses could track employees.” – Edward Snowden was about 9 years old when this was written.
  • Of the major players in the industry in 1993 – U S West, Time Warner, AT&T, TCI, Microsoft, Intel, General Instrument, Sega, MCA – Newsweek realized these would “live or die based on the decisions they make in the next decade…. Not everyone is going to make it. Those that do could change everything.”

With all they got right, what is the most surprising thing Newsweek missed in their look ahead? That their magazine itself would, in twenty years time, cease print production at the end of 2012, becoming an online-only digital publication.

Interactivity and the future of technology

Related BLOGPOST: 15 Years of Rapid Change for the World of Print

 

Printers understand communication and design. Your printer should be able to provide you with the latest information, inspiration, technical advice, and innovative ideas for communicating your message through print, design and typography, signage, apparel, variable data printing and direct mail, integrated marketing and environmental responsible printing. They should also be able to work with you to solve any difficult prepress issues with your files. If they can’t, you have the wrong printer! The best advice, always, is to ASK YOUR PRINTER!

Call us at 828.684.4512. ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your print and marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.

Judging by the Cover: Memorable Book Cover Design

Judging a book by its cover is, in most cases, not a wise idea. But that old adage tends to diminish the importance that a cover plays in the interaction we have with a book. Judging by the cover may be unwise, but the impression a cover gives is very influential. The very mention of a book title can immediately brings to mind the image of its cover – that image becomes tied to the work, the author, the experience of reading the novel. Below are a few samples that got impressed into my memory over the years:

Book Cover Design

The Great Gatsby – F. Scott Fitzgerald

The cover was painted by Francis Cugat, and it is said that Fitzgerald was so enamored with the work (which was completed before he had finished his novel) that he incorporated it into his story. Entitled “Celestial Eyes,” it is probably one of the most iconic and best known covers in publishing history.

Enormous Changes at the Last Minute – Grace Paley

Edward Hopper’s “Compartment C, Car 293,” an oil painting of a young woman reading on a train, is a beautiful illustration for Gracy Paley’s collection of short stories, all set in New York. Once read, its hard not to see Paley’s narrator Faith as the woman on the train.

Salinger and Burgess

A Clockwork Orange – Anthony Burgess
and The Catcher in the Rye – J.D. Salinger

Such simliar covers for two very different books. The straightforward serif font in yellow on a classic crimson background reveals very little about the story inside Catcher in the Rye, yet is without a doubt inextricably tied to the story in the minds of millions of readers. Similarly Burgess’ futuristic distopian thriller could seem almost too bizarre to evoke in such a simple cover. Amazing how the simple skewing of the sans serif title diagonally across the orange background does the job wonderfully.

Examples of Book Cover Design

The Sun Also Rises – Ernest Hemingway and
Absalom, Absalom! – William Faulkner

Two favorite novels of mine – but not what I would consider great book covers. In a way, they seem lazy – almost as if someone decided “Hey, this image will work, won’t it?” But these two images are what springs to mind whenever I hear these titles. Would a better choice have made for a better reading experience as well?

Book Cover Design from Classic Paintings

It’s interesting to notice the frequency with which classic paintings by great masters, that generally have nothing to do with the novel they are chosen to represent, are so often the choice for cover designs – and are an uncannily perfect fit. Penguin Classics is one publisher that relies heavily on this technique, finding classic portraits that seem to perfectly represent the character in a novel.

 

In my opinion, the best book cover designs often lean toward simplicity and minimalism. There is something powerful in sensing the feel or meaning of a novel’s theme in just the barest of images, or color, or font placement… a simple, eloquent cover that hints at the complexity within. (Regardless of the cover, if you haven’t read the novels above, do yourself a favor and check them out. All great reads.)

 

Rely on your printer for advice and direction in design and branding decisions. They have years of experience working with the entire gamut of design trends and tastes. If they can’t help you, they will know who can! The best advice, always, is to ASK YOUR PRINTER!

ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.