vector – ImageBlog

April 27, 2016

Tips for Understanding File Types When You Buy a Logo Design

So you’re hiring someone to create a logo? Pretty important step for any business venture. When working with a graphic designer, marketing agency or full service print provider to craft your brand (or to modify an existing one), it pays to know what to expect. As with most things, a little knowledge beforehand – in this case about digital file types – can save you time and money down the road.

The design process is creative and fluid – enjoy the ride! – but in the end you are contracting for a complete set of digital files or assets that can be used reliably by you or your vendors to produce marketing across all channels with consistent, repeatable quality. Your printer needs a 4-color logo? No problem. Your sign guy wants the final version with the tag line and PMS colors? You’ve got it covered. You may not understand all the digital details of how the files were created, but you can confidently supply the required files to your vendors. A large step forward in understanding all these files is to be aware of one basic difference: pixel vs. vector

Pixel-based files are essentially images and come with limitations.

Pixel-based (or raster) files can be used for many marketing applications and are preferred for web usage and Microsoft® Office, among others. Think of them as photographs – they live as beds or layers of pixels and are resolution-dependent. If you enlarge them, they lose resolution and eventually appear fuzzy or distorted. Want to edit or amend them? Depending on how they were saved, that could be difficult if not impossible. (While PhotoShop can seamlessly work with vector objects and type, chances are your files will have been flattened or otherwise saved without those capabilities.) File types include .tif, .jpg, .png, .psd, .gif and others.

Vewctors are defined shaped, easily editable and resizable.

Vector-based files are preferred for wide format printing, spot color printing or most instances where enlargement or extensive repurposing is needed. They exist as mathematical curves and points that remain crisp when displayed at any size. Almost always, a vector file can become a pixel-based file with just a “save” or “export” from the native application – not true if going from pixel to vector. Just having a handle on this basic difference between a design created as pixels v. vectors can set you on the right track for a successful branding or marketing project. File types include .ai, .eps and .svg.

With regard to creativity, great designs and ideas come from many sources – from a team of highly educated, experienced professionals to a creative student with a sketchpad. But whomever you hire, be clear from the start that what you will receive in the end if a set of digital, editable brand essentials that will work without further cost to you for all of your marketing projects: from print to web, office applications to wide format signage. If you designer only provides you pixel-based files, they will need to give specific instructions as to how these files can be used by your vendors for large format printing, signage, and other applications. If they can’t – don’t close the deal!

Ask your designer/provider a few basic questions in the beginning: How will they create your files? What software will they use? What file types will you be provided upon completion? Will they direct you in which file types are suggested for specific usage? And hang onto those original files – we often see clients with their digital logo files lost in the shuffle over the years, which can be an expensive mistake. Any professional will be happy to explain any questions you have. Just be sure they can provide their designs to you in the formats you will need or be prepared to incur future costs in file conversion or re-creation.

Call us at 828.684.4512 for any marketing needs. As a printer, we understand communication and design. Your printer should be able to provide you with the latest information, inspiration, technical advice, and innovative ideas for communicating your message through print, design and typography, signage, apparel, variable data printing and direct mail, integrated marketing and environmentally responsible printing. If they can’t, you have the wrong printer! The best advice, always, is to ASK YOUR PRINTER!

ImageSmith is now partnered with Extreme Awards & Personalization – our in-house partner providing custom engraved trophies and awards for employee recognition programs, sporting events, and promotional needs. With our new sister company, we will be sharing space, resources and expertise in a collaboration designed to further provide you with one place to meet all of your marketing needs… Under One Roof! Visit them online at www.extremeap.com or call direct at 828.684.4538.

November 6, 2014

Adobe Shape CC: Create Vector Artwork with your Mobile Phone’s Camera

If you’re a business owner, you know that great creative sells. Whether it’s banners, business cards or an eBlast for an event, you want the presentation to be top-notch. But, getting great artwork can be expensive and time consuming. With seemingly limitless amounts of apps being released daily, Adobe is hitting the app industry hard with their new Adobe Shape CC. Even without the entire Creative Cloud suite of tools, anyone can catch and share inspiration for designs in a vector format right from a mobile phone.

What It Does

Marketed with the tagline, “Where ideas take shape,” the app allows users to choose a shape they like and want to use in their design. All they have to do is take a picture of the shape with their iPhone, and the app turns the shape into vectors, or editable, resizable graphics. Extremely user friendly, you aim your phone’s camera at the object you want to capture, adjust the view, then use your finger to swipe away any detailing or lines that you do not want the photo to capture. This means that whatever you take a picture of can be morphed into a graphic shape that you can edit. It is like having Illustrator’s Live Trace feature available at all times from your phone!

Now on Mobile Devices

For those who have used Adobe applications on a desktop or laptop, the new app brings many of those familiar features and functions to the palm of your hand. If you find a shape you want, you can instantly capture it on your iPhone, save it and edit it with literally a few swipes. The app also allows users to import existing photos from your iOS camera roll and save to Adobe’s Creative Cloud.

By saving the image, Adobe turns your picture into a vector, and you can easily edit on your computer, tablet, smartphone or any device that allows you to plug in your Adobe ID. Additionally, you can save your images to Creative Cloud Libraries so you can work on your project at home, at the office or on the go. With the cloud library, you also can work on your project in Shape’s sister apps such as Adobe Brush, Color, Draw and – best of all – Illustrator.

How Businesses Can Use It

This gives users as well as businesses a way to create and edit an intricate shape without actually having to draw one. For those without creative help, the app can serve as your artist. For those who do have a creative team developing their artwork, Adobe Shape CC is great for inspiration and tight-deadline projects. By making any shape editable, designers can go in and manipulate the shape without spending time drawing it from scratch. Not only does this save time, it gives employees who would not normally be able to come up with a creative concept, a chance to flex their artistic muscle without picking up a pencil.

Call us at 828.684.4512 for any of your marketing needs. As a printer, we understand communication and design. Your printer should be able to provide you with the latest information, inspiration, technical advice, and innovative ideas for communicating your message through print, design and typography, signage, apparel, variable data printing and direct mail, integrated marketing and environmentally responsible printing. If they can’t, you have the wrong printer! The best advice, always, is to ASK YOUR PRINTER!

ImageSmith is now partnered with Extreme Awards & Engraving – our in-house partner providing custom engraved trophies and awards for employee recognition programs, sporting events, and promotional needs. With our new sister company, we will be sharing space, resources and expertise in a collaboration designed to further provide you with one place to meet all of your marketing needs… Under One Roof! Visit them online at www.extremeae.com or call direct at 828.684.4538.

Call us at 828.684.4512. ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your print and marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.

April 3, 2013

Print or Web: 6 Reasons You Need a Vector Version of Your Logo

Both of these images are .EPS files, but the one on the left is pixellated. The one on the right is a true vector logo.

Want to make a change to your logo without totally rebranding yourself? Want to print in wide format at a large size for your new signage? Want to use spot color printing to standardize all your stationary? Then in each case, you should be using a vector version of your logo! While you may not be able to place or use it in a Word document, for any high quality printing or output (or for spot or “2-color” printing) your vector logo is the gold standard and you should insist on it from your graphic designer beforehand. Preferably, it will be the way your logo was originally created, and you will not have to pay or struggle to convert it from a pixel-based image after it has already become an integral part of your brand. Here are the reasons why:

You can easily switch a vector logo to any type of pixel-based file needed (.TIF, .JPG, .PNG, etc.) for manipulation, web use or other purposes… yet it is difficult and sometimes impossible to travel from pixel to vector in a satisfactory manner, especially once type has been rasterized. Use this logo as the basis for any and all marketing – all other necessary file types for any other printing, web development, further creative design or marketing can be easily made from this original, keeping all colors and appearance clearly defined. You will consistently maintain your brand across all your marketing efforts, holding all vendors accountable to true reproduction of the original!
Vector artwork can be scaled to any size needed and maintain its perfect clarity. They have crisp edges at any size as they are based on mathematical formulas rather than a bed of pixels.
They maintain a clear, transparent background when placed over other artwork or elements in your design. PNG files also have this ability but are pixel based so… (see reason #1)
When you inevitably want to “tweak” your logo or add something in the future, you can easily do that in a vector-based program such as Adobe® Illustrator, but might find yourself limited if your logo is pixel-based. We often have customers need to make additions to a logo after the fact, such as adding an “Inc.” on the end, changing a tag line as their buisiness focus evolves, update their brand with a new color without totally reinventing the wheel. Also, you do not have to return to the original artist who created your logo to get the files necessary to make the change, as is often the case if the original was created in PhotoShop.
They can function either in RGB or CMYK color modes as well as carry spot color definitions. You can select exact PMS color matches so that your brand is always reproduced consistently. While there are methods to include spot color information in a pixel-based file (DCS files from PhotoShop with spot color channels) they are, again, not resizeable and do not include easy trap information for printing.
This last reason can be debatable, and I am sure there are exceptions to the rule, but: as most logos need to be clean, vivid and memorable, vector shapes readily lend themselves to these qualities. The logos you know and remember are almost always designed as vector shapes rather with fuzzy, artistic brushstrokes or photographic effects.

WARNING: pixel-based files can be saved from photo-editing software as EPS files, so remember that just because a file has an EPS suffix, it has not been magically converted to a vector file. Also, pixel images can be placed into vector draw programs like Illustrator and saved as .AI or .EPS files. Again, not vector!
Rely on your printer for advice and direction when creating your files. They should be able to provide you with everything from encouragement along the way to complete design, layout, copywriting, production, multi-purposing and distribution of your marketing outreach. If they can’t, you have the wrong printer! The best advice, always, is to ASK YOUR PRINTER!

ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.

August 20, 2012

Saving Your Print Project – Seven PrePress Pitfalls, One Simple Fix

THE HAND-OFF: the moment of truth in a smooth, successful marketing project comes when you transfer your digital files to your print service provider. Below are seven of the most common roadblocks that are sure to frustrate you and defeat your deadline.

FAIL #1: Giving the printer EVERYTHING. A good rule of thumb is to not give your printer any file that you do not want printed! It is tempting to try to save time in back and forth file transmissions and endless emails to just hand over every related file for a project. Often customers will drop off a disk or jump drive with all their marketing materials on it. At the design stage, this can be a good resource to have, but if your design is finalized for a specific project, you just astronomically increased your chances of getting the wrong thing printed!

FAIL #2: Missing fonts, missing links. Not gathering all the necessary digital files to print your job is really the heart of all file submission problems: missing fonts, image links, profiles – they all stop your project dead in it’s tracks. Probably the most common is missing image links. A printer will not be able to output high resolution images from an “unlinked” page layout. If they request the specific images, be aware that placing a picture onto a page in a Word document (this applies for InDesign, Quark, or any other page layout program as well) is NOT sending the actual image file. You will need to find the original file itself to send. Missing fonts will also derail your project – fonts work on the computer where your files were created because they are installed on that machine. Ship the file to another computer and the fonts will substitute to ones with which you will NOT be happy. Most layout programs now, thankfully, have a feature that allows you to package all necessary files into one bundle for printing. Also, creating print-ready pdf files will allow you to avoid all the link and font issues as the pdf can be a self-contained file suitable for print.

FAIL #3: Mixing process, RGB and spot color definitions in the same file. Color management can be a complicated process, but in general you should be aware of the “colorspace” your layout is created in and it’s intended output. Using spot or PMS colors in a design will require them to be converted at some point if you plan to print in CMYK. You can design in an RGB workspace, but be aware that colors will shift when the conversion takes place to offset or digital printing. A common mistake is also using spot or PMS colors in a file that contains transparency – ie, uses drop shadows, gradients, photo effects that incorporate transparent layers. Most programs will warn you to look out for “unexpected results.” They aren’t lying!

FAIL #4: When a different file type is requested than the one used, just change the file extension name by retyping it. Yes, this happens often! It seems like such a simple fix, but predictably, it changes nothing. A pixel-based tif or jpg file cannot automatically become a smooth, resizeable vector file just by typing a suffix onto the filename.

FAIL #5: When a vector file is needed, just drop your pixel-based image onto a page in Illustrator and save as .eps. This is similar to just changing the file extension in the name. When a vector file is required – usually for spot color separation or to be resized for smooth output at a large scale – a file type that is pixel-based will not become a vector file by simply placing it into a program that is vector-based.

FAIL #6: Supply your logo or an image by right (or option) clicking on a website and saving to your desktop …or tell a printer just to go the website for the art they need. As a rule, the resolution of any art on a website will be too low for good print quality. Just count on it.

FAIL #7: Neglect to specify a PMS color match for a specific color output that must be exact. Remember, blue is never just blue.

So, all of those are common mistakes to avoid during file submission. The good news is there is one simple fix – talk to your printer! Call them on the phone and ask for guidance in preparing and transferring your files. They will be eager to walk you through any questions or problems you encounter. The advice is free, and will most likely save you additional pre-press charges that you can incur if they have to fix or adjust your files for digital or offset output. If you are dealing with an online printer and cannot get an actual person on the phone you have discovered one of the reasons they are able to offer lower prices: low standards for customer service.

Communication is the answer – it will save you time and money. If your service provider can’t provide the needed answers or doesn’t have time to chat with you, you have the wrong printer! The best advice, always, is to ASK YOUR PRINTER!

ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.

May 16, 2011

Adobe Illustrator’s Image Trace: Creating Vectors from Pixels

Any vector art can easily be converted to pixels (rasterized). The journey back from pixel to vector however is not an easy one, if possible at all. Some sound advice: get the original, vector, fonts-turned-to-outlines version of your logo from the designer as soon as it is created and signed off on. Even if you can’t place or use it any of the programs you use daily, get it and guard it! It can be reproduced at any size and mainting its clear, perfect resolution, it can be repurposed into any other file types needed for print or online usage, and it can contain the needed PMS spot color information needed for color separation to maintain your brand standards.

It is truly amazing the number of companies out there who have an established logo and brand, but are unable to lay hands on a vector version of their logo. They are ready with a marketing budget but armed only with a tiny .gif or .jpg someone nabbed off a website, or possibly a fuzzy print of a logo placed in a Word document. Many do not know the PMS color designated for their brand/logo. Imagine Target or Coke thinking any old red will work work their printing… or leaving it up to a random printer to decide which red to use!?! The original logo design for any well-made brand will have begun its life as a vector-based artwork. As many offices use software that requires a .jpg or .tif format for placed art and websites require low-res .pngs and .jpgs…. so the value of the vector art is often overlooked.

In the Old Days When You Needed a Vector Logo….

I use to love Adobe Streamline. It saved many print jobs from disaster. Discontinued with the advent of Illustrator CS2, Streamline was the program used to convert pixel-based art into vectors… and when it worked the way you wanted, it was a lifesaver for a prepress department. Could it redraw any logo to perfection? Of course not, but it could be used to re-create some logos for vector output.

A potentially huge new client gives you their first print job… you have to print some forms in black and their spot PMS color, but the logo they supply is a fuzzy RGB jpg – no way to properly color separate the pixel-based file, no built in spot color, no chance of impressing the client! But Streamline, if the logo scan was high enough quality, could render the proper shapes in a vector format that allowed you to print the job correctly, reset the logo as needed, and gain a new client’s trust.

Image Trace

Image Trace in Adobe® Illustrator (formerly called “Live Trace”) is a great asset for designers, and useful for far more than just a prepress department stuck with a lousy jpg and a deadline. As with most tools in Illustrator and throughout Creative Suite, the best way to learn Image Trace is to simply use it: open up a document, place a pixel-based tif or jpg on the page and the try the different options under the Image Trace button in your menu.

Drop down menu of actions under the Live Trace button.

Try converting full color photographs, scanned drawings, images that have been run through PhotoShop filters – the results can be amazing. From the results you will begin to understand what kinds of effects you can apply in Photoshop before conversion in order to make your Image Trace output more of what you are after. For logo “re-creation,” a clear, large size scan of the logo is preferable to start from – and the cleaner the scan, the better the results. Once you select the preset you want, you will have to click the “Expand” button to actually apply the conversion, and then Ungroup the objects to work with the individual vector shapes. Image Trace will not give suitable results for scanned type in most instances. For more advanced controls over your vectorization, try the Tracing Options dialogue box by going to Window > Image Trace and choose a preset or specify the tracing options. You can enable Preview to see the results of your modifications. and play around with the blur, threshold, path fitting and other tools you find there.

A full color photograph before and after Live Trace - notice each color area has been turned into a vector shape.

Tag: vector

Tips for Understanding File Types When You Buy a Logo Design

Adobe Shape CC: Create Vector Artwork with your Mobile Phone’s Camera

What It Does

Now on Mobile Devices

How Businesses Can Use It

Call us at 828.684.4512. ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your print and marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.

Print or Web: 6 Reasons You Need a Vector Version of Your Logo

ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.

Saving Your Print Project – Seven PrePress Pitfalls, One Simple Fix

ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.

Adobe Illustrator’s Image Trace: Creating Vectors from Pixels

In the Old Days When You Needed a Vector Logo….

Image Trace

Contact us at ImageSmith for quotes on all your marketing projects, and more useful tips on how to create custom, high impact marketing solutions.