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Smash Gives Creatives What They Want: Easy, Unlimited, Ad-Free File Transfer That’s FREE!

 

Smash File Transfer logo

Free? No registration? No size limits? Mobile friendly? And specifically designed for designers?!!

SMASH is a new digital content sharing service based on a model designed to truly give users exactly what we all want when sharing digital files: free, unlimited file size, drag-and-drop simplicity. Throw in mobile accessibility, and easy previews with absolutely no ads and Smash can win you over with one use.

Smash landing page

The idea for Smash came out of a group of creatives in Lyon, France who wanted an easy, no-limits, user-friendly file sharing service that would also bring creatives into closer collaboration. While waiting for your files to transfer, the screen showcases creative works and gives useful information about exhibits and events of interest to creative professionals. The potential here for other great collaborative ideas is huge and the founders are still incubating ideas.

Smash lays out in their news release the benefits and unique characteristics of their file-sharing site in a few simple points:

  • No registration (and no fees, ever!)
  • No size limit on transfers
  • Secure
  • Aesthetic interface (with no ads!)
  • File preview
  • Mobile device access
  • Ability to preview all, then select which files to download

The process is perfectly intuitive: drag and drop files, enter your recipient’s email and a message if desired, then they receive an email with a link to the files where they see previews and can choose what to download. You receive a confirmation email with the links as well, and another notification once your recipient downloads files. The files stay securely on the Smash servers for 7 days and are then deleted. Sweet!

Smash email notifications

 

Launched in February 2016, SMASH encourages a growing community of artists, designers, architects and creative professionals to get involved – showcasing works in their Artist’s Corner, and as a work in progress, the site also encourages suggestions for additions/new features/capabilities for Smash in the future at Smash Ideas.

How can they afford to do this with an ad-free interface? Smash answers: “Smash is free… and will always stay this way! In order to finance Smash, we are working on a new offer that would include many more features, so stay tuned!”

Smash link
Your recipient will see a preview of the attached files and can choose if and which to download.

Give Smash a try and see that file transfer can truly be easy, seamless and free of charge. I hope they are successful and can maintain that model and reach their goal of being able to “impact crucially the creative world.”

Find them at about.fromsmash.com or on Facebook and Twitter.

 

 

Call us at 828.684.4512 for any marketing needs. As a printer, we understand communication and design. Your printer should be able to provide you with the latest information, inspiration, technical advice, and innovative ideas for communicating your message through print, design and typography, signage, apparel, variable data printing and direct mail, integrated marketing and environmentally responsible printing. If they can’t, you have the wrong printer! The best advice, always, is to ASK YOUR PRINTER!

ImageSmith is now partnered with Extreme Awards & Personalization – our in-house partner providing custom engraved trophies and awards for employee recognition programs, sporting events, and promotional needs. With our new sister company, we will be sharing space, resources and expertise in a collaboration designed to further provide you with one place to meet all of your marketing needs… Under One Roof! Visit them online at www.extremeae.com or call direct at 828.684.4538.

 

 

Call us at 828.684.4512. ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your print and marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.
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Creative Backdrops for Your At-Home Photography Studio

Creative backdrops for at-home photography studio

Operating an at-home photography business or taking photos to use in your graphic design work can be convenient, efficient and enjoyable. It also can be expensive. If you can be as creative with do-it-yourself projects as you are with your camera, you will find that you can afford and create several creative and eye-catching backdrops in your own home.

Get the Foundation Right

If you are new to the at-home photography business, there are a few steps you should follow. First, dedicate a room that has plenty of space to be your studio. Make sure it has good lighting and a neutral color on the walls. Any greens, reds or blues will kill your color balance, so stick to whites or grays. You also might want to lay down a tarp to avoid any colors bouncing off from the floor.

Once you have the room set up, install a backdrop holder. Using a half-inch galvanized pipe, plates and some conduit, you can screw in a backdrop holder either onto the wall or from the ceiling.

Now, you can begin making backdrops. Amazon offers basic backdrops for as much as $40. However, consider adding colorful, elegant drapes to the windows to give off a homey feeling. Custom drapes can be found online from retailers like The Shade Store.

Use Chicken Wire

Chicken wire is a fun, creative tool that you can use over and over again. To make a custom heart background, you’ll need:

  • Staple gun
  • Small nails
  • Hammer
  • Spray paint
  • 3 pieces of one-inch by two-inch wood, six feet in length
  • Color material to create your effect.

Then, red napkins can be stuffed into the chicken wire to make a heart shape. With the chicken wire frame up, plot the points of your heart with napkins, and make the outline. Then you only need to fill in the outline.

Use Strings

This tasty idea can give you a 3-D effect by using stringed marshmallows. If you hang strings of marshmallows from the ceiling, it will give your backdrop a snowing effect. If you don’t have marshmallows, cotton balls or Christmas tree bulbs can be used instead.

Colorful yarn also can be an interesting tool. You can mix and match colors that can blend with your object or be in contrast to it. The yarn needs only to hang from your backdrop frame. However you choose to make it, you have a variety of colors and patterns to choose from, and the only thing you need is yarn, scissors and a creative mind.

Find Miscellaneous Items

Believe it or not, you may have the ultimate backdrop material already in your home. Here are just a few examples:

  • Using your neutral-colored wall, you can use colored tissue paper from your gift-wrapping arsenal to create a paper flower backdrop. The DIY website Lovely Indeed demonstrates how to make the flowers step by step.
  • If making paper flowers is too time-consuming, then book pages might be easier. Strategically place book pages onto a canvas to give your backdrop a unique, elegant and fun look.
  • Or, if you’re in a pinch, line blown-up balloons together to bring out some color in your shots. These can be really versatile because there are so many kinds, colors and sizes, giving you an infinite number of ways to set them up.
  • Finally, keep it simple by using gift-wrapping paper. This is easy to use, inexpensive and full of unique patterns. This is especially great for baby photos. And, all you need is some tape and scissors before your backdrop is ready to go.

 

 

Call us at 828.684.4512 for any marketing needs. As a printer, we understand communication and design. Your printer should be able to provide you with the latest information, inspiration, technical advice, and innovative ideas for communicating your message through print, design and typography, signage, apparel, variable data printing and direct mail, integrated marketing and environmentally responsible printing. If they can’t, you have the wrong printer! The best advice, always, is to ASK YOUR PRINTER!

ImageSmith is now partnered with Extreme Awards & Engraving – our in-house partner providing custom engraved trophies and awards for employee recognition programs, sporting events, and promotional needs. With our new sister company, we will be sharing space, resources and expertise in a collaboration designed to further provide you with one place to meet all of your marketing needs… Under One Roof! Visit them online at www.extremeae.com or call direct at 828.684.4538.

 

 

Call us at 828.684.4512. ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your print and marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.
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PhotoShop Makes it Easy to Quickly Straighten a Scan or Photo

 

 

If you begin work with a raw photograph or scan, chances are the image will be off-kilter – maybe just a little bit crooked, maybe a lot. Here’s an easy fix to straighten your image that does not require guesswork of how many degrees or rotation are needed.
Photo in need of alignment

In the sample image above, the subjects appear to be walking up a slight hill, but our objective is to have them on level ground. Beginning with CS5, the PhotoShop tools got a whole lot smarter and you can now Straighten a photo with the click of a button. The Crop tool itself will allow you to manually rotate the image, just by clicking slightly outside the crop area and pulling the image in whatever direction you desire. To have PhotoShop straighten your photo exactly, just click the “Straighten” button in the Toolbar at the top. This accesses your Ruler tool to draw a line on your image that you want to use to make your image plumb. The new tools make what use to be a more difficult task very intuitive and easy.
The “old” way of doing this was to get the Ruler tool (its hidden away on the fly-out menu of the Eyedropper tool). Find a line or edge in your image that you want to be perfectly horizontal.  Click and drag out a line with the ruler tool that you want to be exactly 90° perpendicular to vertical. Choose Image – Rotate – Arbitrary. The exact amount of rotation needed (to the 100th of a degree!) will be entered into the “Arbitrary” amount box. Just hit enter and your image will rotate clockwise or counterclockwise as needed according to the line you drew.

Using the Ruler Tool in PhotoSHop
Find the “horizon” or edge you want to be perfectly horizontal in your image and drag the ruler tool across it.
Rotate Image in PhotoShop
Image – Rotate Image – Arbitrary
Rotate Image in PhotoShop
The exact amount needed is automatically filled in the Rotation Amount
Straightened Image before recropping
Image aligned with drawn line, before recropping.

Finished photo after alignment

After aligning, you will need to recrop the image to make it square again. But the girl walking her dog is now on level ground. If your image was a scan of a document or printed photograph, aligning with the edge of the original will bring the image plumb again.

Thanks to CS5 and beyond, you may never need this again!

 

 

 

 

Strive to buy your print locally! A community printer will understand communication and design, with a special emphasis on your local market. They should be able to provide you with the latest information, inspiration, technical advice, and innovative ideas for communicating your message through print, design and typography, signage, apparel, variable data printing and direct mail, integrated marketing and environmentally responsible printing. If they can’t, you have the wrong printer! The best advice, always, is to ASK YOUR PRINTER!

 

Call us at 828.684.4512. ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your print and marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.
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Retro Gizmo: Artifacts from the Pre-Digital PrePress Department

 

Light Table, Prepress Department

Last year we featured a blogpost on an antique piece of bindery equipment still being used in our print shop. Today, we’re thinking about a few other vintage relics that have been gathering dust in the art department. The pre-digital days in prepress were not all that long ago – extending into the 1990s. The print industry was an early adopter of computer technology with digital imaging technologies, workflow and of course design software from the early days of Adobe, Quark, Corel, Aldus and others. Early Macs were the industry leader in digital typesetting, page layout and graphics. Both the design process and the photographic techniques used to image plates for offset printing underwent a rapid transition just before the new millennium.

The 90s saw the tail end of prepress imaging techniques that had evolved over decades.  Design skills included “paste-up” – manually positioning type and graphics onto each master sheet for printing. You’ll really appreciate a straight tool line once you paste on a piece of tool-line tape by hand! For graphic elements and photographs, anything other than 100% black had to be rasterized by imagesetters into “dots” to create grayscale halftones. Full color printing required four separate pieces of developed film, “stripped” into exact position with a hand-trimmed mask. Large print shops had many full-time employees whose job was to “strip” plates for the press, usually at light tables like the one seen at the top of this post. Below are some relics from those days when graphic design was as much craft as art:

Scale for enlargements
Resizing graphics and text was often done photographically before desktop publishing – requiring some math skills for percentages of enlargement or reduction. This handy tool was invaluable.
Pre-Digital Artroom Supplies
Paste-up: manually creating a master of the printed page. Red Litho Tape was used to block any light shining through a stripping sheet. “Cold Type” supplies included decorative tool lines in the form of tape. E-rulers were handy for measuring point size of imaged type.
Art Room Supplies
Strippers were small metal tabs used to keep film in perfect alignment for processing plates. It was also the name for the folks who handled that entire process. The orange sheet here is a stripping sheet, where printable areas would be opened up (masked) to allow photographic imaging of the press plates.
T-Square and grayscale or color targets
Manual skills and a steady hand were essential skills for paste-up. The T-square and other tools helped. Also, much of the imaging process relied on traditional photographic techniques to achieve proper color and grayscale output.

 

The skill and craft of fine printing and effective marketing is more alive today in the digital world than ever before. Strive to buy your print locally! A community printer will understand communication and design, with a special emphasis on your local market. They should be able to provide you with the latest information, inspiration, technical advice, and innovative ideas for communicating your message through print, design and typography, signage, apparel, variable data printing and direct mail, integrated marketing and environmental responsible printing. If they can’t, you have the wrong printer! The best advice, always, is to ASK YOUR PRINTER!

Call us at 828.684.4512. ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your print and marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.
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Acclaim or Blame, Magazine Cover Designs Show the Power of Print

Print Power

If I had the time, I think I would start a blog just to feature news about dramatic, controversial, catalytic, magazine cover designs. Just in the past recent weeks, the following covers have stirred up online interest:

  • The New York Post, well known for a penchant for crossing the line with cover headlines, angered many with a cover featuring a murdered Jewish real estate developer and the headline “Who Didn’t Want Him Dead”
  • The New Yorker captured both the pride and sorrow over the passing of Nelson Mandela with a moving and popular cover by artist Kadir Nelson.
  • Issues of body image and charges of “fat-shaming” were provoked when Elle magazine featured actress Melissa McCarthy on its Women in Hollywood issue in an oversized coat. A subsequent Mindy Kaling cover also got Elle more online heat as many considered the close-up photo of the actress to be an attempt to downplay her figure, where ‘skinnier’ stars received the full body treatment.
  • Just being on the first cover of the year seems to have been newsworthy as Seth Meyers graced the cover of Time this January, spawning a number of stories about his popularity and the future of late night viewing.

Major online news outlets often feature stories on current magazine or newspaper covers that either offend, surprise or inspire. Boston Magazine Cover Book covers certainly sell books, but magazine and newspaper covers can take extra advantage of the heat of the moment – energized by the immediacy of unfolding events in the news. Indeed, the editorial and design goal of these publications is that priceless viral buzz, and great designers are pushing the envelope of what the public will accept with dramatic and innovative images. While the power of such newsstand pulpits as the popular magazine or newspaper cover was obvious in the pre-digital era, the fact that a printed cover is news today points to a powerful quality of print. An online image can certainly stir emotions and controversy, but why is the printed image even more powerful? How has its authenticity and power crossed the digital divide to remain so effective today amid a sea of online images and news outlets?

 

Time Cover Mom EnoughOne aspect of print that helps to explain this is the physical, tactile nature of print. The image is not just flickering onto a computer or mobile screen, but exists as a hand-held, fixed object. Holding print feels more personal and immediate – otherwise, why would a printed card seem more personal than an e-vite? Why wouldn’t a college graduate just want their diploma sent over as a pdf? Print gives a physical existence to images and messages that digital media does not provide.

Print also turns up, often uninvited, in our daily lives. It is waiting for you at the grocery store checkout, it’s image and inherent message is talking to you from the airport newsstand, coffeehouse table, doctor’s office waiting room. That physical quality of print combined with concurrent digital, online exposure is the core of successful marketing today: integrated marketing that takes advantage of both newer AND older technology.

Obamas on New Yorker

Ink on paper, great photography or illustration and powerful design – these covers excite, enrage, encourage, offend, inspire and influence. And they certainly do sell. Check this link for a compilation of some of the most controversial covers of all time… or this compilation that shows how today’s controversies often fade very quickly to become “no big deal.”

For a superior article on the thought, design and evolution of magazine cover art and text, read this article at Salon.

 

ImageSmith is proud to be a printer in an exciting era of digital communication. Your printer should be able to provide you with the latest information, inspiration, technical advice, and innovative ideas for communicating your message through print, design and typography, signage, apparel, variable data printing and direct mail, integrated marketing and environmental responsible printing. They should also be able to work with you to solve any difficult prepress issues with your files. If they can’t, you have the wrong printer! The best advice, always, is to ASK YOUR PRINTER!
Call us at 828.684.4512. ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your print and marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.
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Quick Photoshop Tip: Seperate Layer Effects Onto Their Own Layer for Editing

Separating Photoshop Layer Effects onto their own layer

Simple tips are often the most useful. In Photoshop, I’ve found this one to be very handy for editing Layer Effects in the Layers palette. Finding it is not the most accessible or intuitive – so hopefully this can be helpful.

Layers in a Photoshop file allow us to manipulate and edit different parts of the image individually, using transparency, masks, blends and filters to alter and manage how the finished photo will appear. The Layer Style palette allows you to add different effects to that specific layer: drop shadow, bevel and emboss, Outer Glow, Gradient Overlays, etc.  But often, designers find a need to edit the Layer Effects seperately, beyond the controls within the Layer Style window. I often find a need to adjust the drop shadow independently of the layer to which it is married, reshaping it in order to give the desired perspective.

Tip to edit layer effects on their own layer

Photoshop of course provides a way to do this, but it isn’t a simple function listed under the Layer Style drop-down palette: from the top menu bar, choose Layer – Layer Style – Create Layer. Notice in your Layers palette that the effect has now moved onto it’s own layer and can be manipulated individually from its Master layer. Photoshop also conveniently names the new layer after the effect you applied. Some effects, such as Bevel, require multiple layers to be created in order to maintain the effect. You can then edit as needed. In this sample we distorted the drop shadow down into a shape that appears to be a more realistic cast shadow from a standing zebra.

Moving a layer effect in PhotoShop to its own layer

 

Photoshop is constantly changing, but Adobe provides great tutorials online to help you learn new tips and techniques. Also, stay abreast of latest news and inspiration from industry insiders at the photoshop.com blog.

 

Printers understand communication and design. Your printer should be able to provide you with the latest information, inspiration, technical advice, and innovative ideas for communicating your message through print, design and typography, signage, apparel, variable data printing and direct mail, integrated marketing and environmental responsible printing. They should also be able to work with you to solve any difficult prepress issues with your files. If they can’t, you have the wrong printer! The best advice, always, is to ASK YOUR PRINTER!

Call us at 828.684.4512. ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your print and marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.