Using Templates to Design – Print, Promo Products & Signs

 

Designing on templates

Trade show booths, converted envelopes, coffee mugs, die cut folders, POS displays, folded mailpieces… what first step do all these design projects share? In each case, you will want to ask for a template from your printer before you design.

The print, signage and promotional products world continues to diversify with custom branding opportunities that allow you to print on just about any object you could want. Throw in the creative use of die-cuts, spot coatings, textures, and folds and starting your project layout on the right foot becomes all the more important. For the designer, that means working with vendor-supplied templates to make sure your design ends up printing in the right spot with no expensive surprises or added cost.

Vendors are usually glad to supply a pre-press template for your specific project. In fact, many require your files be submitted on their template – and for very good reason. The positioning, size, and bleed area are critical for successful output on projects using various substrates and printing surfaces, and complex bindery or finishing processes. When you submit files that need no adjustments, you save prepress and art department fees that would be needed to correct or modify your files, or perhaps save having to pay for a job that did not print as you hoped.

Often, however, instructions are vague about exactly HOW to work with the template. Here are a few pointers that may help. In MOST cases, the template you will receive is a PDF. If you are using the most common desktop publishing software – anything from Quark Xpress to the Adobe Creative Cloud Suite – the PDF can be used in several ways to guide your layout without getting in the way of your work.

We love Illustrator for many great reasons and it is generally our preferred software for design of promotional products, wide format signage, vehicle wraps, and even some regular print jobs that have complex die cuts or folds. The PDF template can be placed into Illustrator like an object, on its own layer, and used as a guide. But the most helpful way is to begin by choosing File–Open With (rather than just File Open) and pick Illustrator as your app rather than Acrobat. (If, as sometimes happens, the template PDF uses fonts that your computer does not have, just ignore the warnings. While they may not print well on your end, the vendor who made the template will have them, so no problem.)

Trade show booth template

Templates are almost always vector objects that will open and be editable in Illustrator. Of course you don’t want to edit the template, but it can be helpful to have the ability to manipulate it when using many layers or when you need to hide parts of the template in order to proof your project to a customer. You may also need to copy and use curved shapes or other features of the template when creating masks or other design elements.

Layers palette in IllustratorMany PDF templates are very user-friendly in Illustrator. They use specific non-printing colors to designate the layout and help you see the placement of things like folds, edges and dyelines while specifying how much bleed area you need to allow as well. They will generally have the template elements on locked layers so you don’t accidentally edit them. Most have a blank layer already prepared for you to work on. If not, always leave the template on it’s own layer(s) and create a new layer to contain your print elements.

Layers palette in InDesignSometimes, it is preferable to prepare your layout in InDesign or another page layout application. You can simply File–Place the PDF template into your document. It makes sense to create – and lock – a layer just for the template file. You can then turn visibility on and off as needed and move it up or down in the layer order as well. Your document size in InDesign should be the same size as the entire template, including crop marks if applicable. Upon export, you would generally turn all fonts to outlines and create your PDF/X1A with no crops or bleeds other than whats included in the template.

These PDF templates generally include other important information to guide your design. They will specify whether you need to use PMS spot colors or stick to all process. They define needed bleed area. And they usually spell out the resolution, size, and embedding specs for any images you include.

Templates save time, headache, and money throughout the course of your design project. Make it a practice to ask ahead of time for a template, and make the template your friend.

Call us at 828.684.4512 for any marketing needs. As a printer, we understand communication and design. Your printer should be able to provide you with the latest information, inspiration, technical advice, and innovative ideas for communicating your message through print, design and typography, signage, apparel, variable data printing and direct mail, integrated marketing and environmentally responsible printing. If they can’t, you have the wrong printer! The best advice, always, is to ASK YOUR PRINTER!

ImageSmith is now partnered with Extreme Awards & Personalization – our in-house partner providing custom engraved trophies and awards for employee recognition programs, sporting events, and promotional needs. With our new sister company, we will be sharing space, resources and expertise in a collaboration designed to further provide you with one place to meet all of your marketing needs… Under One Roof! Visit them online at www.extremeae.com or call direct at 828.684.4538.

 

 

Call us at 828.684.4512. ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your print and marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.

OUCH! ANSI Safety Signage & Graphic Design Basics

 

Warning Sticker Hair Caught in Machine

Yes, I will keep the cover closed!

Not a very attractive image but it certainly makes me want to stop and consider how not to wind up in that position. The graphic design of workplace safety signage is built around the need to be instantly understandable, not subtle or creatively compelling. They want you to get your hand out of the way – NOW! – not necessarily admire the design of the warning itself. Good design in the safety sticker world is less about aesthetics and more about what speaks universally in a loud and direct way.

So we took a look around our shop: presses, cutters, folders, inserters, laminators… all with their own safety manuals and inherent accident risks. Finding a few warning signs was no problem. As the machinery is manufactured in various places both in the US and internationally, the signage varies somewhat although most follow the recognizable ANSI guidelines. ANSI, the American National Standards Institute, is a non-profit organization that oversees standards and guidelines in nearly every economic sector.  Their work helps ensure consumer safety, environmental protection, and promotes the US position in a global economy. Their standards for safety signage in the workplace were adopted by  OSHA (the Occupational Safety & Hazard Administration) in 2013. These ANSI Z535 safety sign standards strive to make all safety signage more instantly understandable by combining standardized headers with explanatory text and an increased use of pictograms.

Judging by the warning signs in our shop, hands seem to be in the most danger.

Warning stickers in the workplace

 

Workplace warning stickers

 

Workplace warning stickers

 

Workplace warning stickers

 

Know Your Objective

Safety signage is graphic design at it’s most elemental: get instantly noticed, understood and influence behavior. Pain and the avoidance of bodily harm are generally easy selling points, so ANSI signage relies on the basics of color coding, bold typography and straightforward text. When evaluating more complex, sophisticated design projects, discerning the objective and the most straightforward means to relay that can often be a good starting point to both begin the design and later to evaluate it’s effectiveness.

Of course, there’s always that one that could use a little more work:

Warning sticker on machinery

 

 

Adhesive vinyl labels, contour cut lettering, wide format printing, removable wall graphics and murals, floor graphics, window signage: all available from Imagesmith.  ImageSmith always provides you with the latest information, inspiration, technical advice, and innovative ideas for communicating your message through print, design and typography, signage, apparel, variable data printing and direct mail, integrated marketing and environmental responsible printing. We work with you to solve any marketing problems. The best advice, always, is to ASK YOUR PRINTER. Ask Imagesmith!
Call us at 828.684.4512. ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your print and marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.

 

Retro Print Artifact: Still Going Strong in the Bindery

 

Lassco-Wizer Model 20

So what is this thing pictured above, anyway?

 

A true workhorse in the bindery, this manual contraption has been going strong for an untold number of years. While there is no information on the piece to date it, the instruction panel on the underside does include “celluloid” as one of the materials that can be processed by it! To my knowledge, it has also never needed any major maintenance or parts replacement, and is still used in our shop today for small jobs… no internet or digital hookup needed. Heck, there’s not even any electricity needed – just a strong arm!

 

Lassco-Wizer Bindery Equipment

This is a manual corner cutter or rounder. Less expensive than a custom die cut, rounded corners can add some style to business cards, invitations or other print pieces by smoothly rounding off the corners after printing. This machine can be set for different degrees of roundness. On small quantities of a quick turnaround job, it is still earning its keep today in our bindery. In some cases, hand-finishing print is still the way to go!

Printed samples finished with rounded corners

printed label for bindery corner rounder

 

This particular model, which has no doubt paid for itself many times over through the years, is a Lassco “CorneRounder®”. Lassco-Wizer in Rochester, NY is still in the business of making quality industrial bindery tools like drills, paper joggers, perf-score-numbering equipment, staplers and press equipment. New models of their corner rounding machinery operate pneumatically on large quantities, yet they still produce a manual model very similar to this one above – though it appears to have a few more plastic parts these days.

True quality design and construction stand the test of time.

 

 

Strive to buy your print locally! A community printer will understand communication and design, with a special emphasis on your local market. They should be able to provide you with the latest information, inspiration, technical advice, and innovative ideas for communicating your message through print, design and typography, signage, apparel, variable data printing and direct mail, integrated marketing and environmental responsible printing with FSC certified products. If they can’t, you have the wrong printer! The best advice, always, is to ASK YOUR PRINTER!

Call us at 828.684.4512. ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your print and marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.