design – Page 4 – ImageBlog

June 3, 2014

Career Path Tips for Creative Designers

As technology continues to advance and people use the internet more and more for everything from shopping and research to staying in touch with friends and family, careers in graphic design – and especially web design – seem certain to remain in high demand for the foreseeable future and beyond. For highly creative people who dream of designing eye-catching, successful marketing and web pages for businesses and individuals, the following tips can help them achieve the career of their dreams.

Learn all you can… and learn how to code

Yes, you are brimming with creative ideas, but you also have to know how to properly create them on the back end. Employers are often wary of the learning gap between the creative skills gained in school and the practical, industry-savvy skills needed to successfully perform many jobs in the graphics and web design marketplace. Learn all you can about the software and technical procedures of graphic design, printing, mobile apps, SEO, direct mail and integrated marketing. Strive to continually familiarize yourself with the latest news and developments through creative, cutting-edge blogs, publications and relevant trade associations. More specifically, for all designers with an eye on the future, learn as much about coding as you can, including CSS, JavaScript, HTML, WordPress and more. As Rasmussen College says, web designers need to learn how to create sites that are universally device-friendly, so educate yourself by taking classes or spending time to research how to design a site that will look just as good on a smartphone screen as it will on a mid-sized tablet or laptop.

Create an amazing portfolio

Before you even think about applying for a job or even an internship, you need an incredible portfolio that shows off your skills. Besides including your best projects from college, you should also add examples of design that you’re interested in. For example, if you dream of designing web pages that are full of emotion-evoking graphics and videos, look into stock video websites that feature all kinds of footage from clouds moving across the sky to kids running through idyllic fields. In addition to supplying potential employers a printed out portfolio of screen shots and other projects, make a digital version of the portfolio that features links to your design work as well as your resume and contact information.

Get an internship

Although you might feel ready to start working for a major company right away, one of the best ways to get a feel of what to expect is to nail down an internship. If possible, find an internship while you’re still in school–or you can apply for one after graduation. While the concept of an unpaid internship might sound unappealing to you and your pile of monthly bills, remember that the professional, in-house experience will provide you with priceless real world know-how that most new designers don’t have.

Start out as a freelancer

Consider freelancing before going for a permanent position. This will give you the opportunity to work for a bunch of clients at once, rather than just one. You can also start out slow with one or two projects and—as the word gets out about your skills in design—you can take on more and more. If you decide to go the freelance route, hire an experienced accountant who knows how to handle 1099 info and other specialized tax forms; working from home can be difficult, but freelancing has a ton of benefits when it comes to tax write-offs.

Rely on your local printer for support whether you direct a company’s marketing budget or freelance. They should be able to provide you with the latest information, inspiration, technical advice, and innovative ideas for communicating your message through print, design and typography, signage, apparel, variable data printing and direct mail, integrated marketing and environmental responsible printing. If they can’t, you have the wrong printer! The best advice, always, is to ASK YOUR PRINTER!

Call us at 828.684.4512. ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your print and marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.

May 28, 2014

Remembering Massimo Vignelli – One of the Greats of Graphic Design

One of the giants of 20th Century design, Italian-born Massimo Vignelli passed away on Tuesday (5/27/14) at the age of 83, after an extended illness. Credited with bringing the European modernist aesthetic to American design, Vignelli created memorable work for clients as diverse as the National Park Service, American Airlines, Bloomingdales, the New York City Subway – he even designed an entire church in New York.

Hear him in his own words below:

A hero of graphic design, Vignelli considered himself to be an “information architect” – yet his work resides in museums around the world. For a great overview of his life and work, check out the New York Times article on his death, Fast Company’s obituary tribute and of course the Vignelli Associates own website, where you will no doubt discover many familiar creations of this visionary graphic designer.

Your printer should understand communication and design, with a special emphasis on your local market. They should be able to provide you with the latest information, inspiration, technical advice, and innovative ideas for communicating your message through print, design and typography, signage, apparel, variable data printing and direct mail, integrated marketing and environmental responsible printing. If they can’t, you have the wrong printer! The best advice, always, is to ASK YOUR PRINTER!

Call us at 828.684.4512. ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your print and marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.

May 12, 2014

Use Layers to Keep Auto Page Numbers on Top in InDesign

A frequent InDesign question from designers for our prepress department concerns how to keep Master Page page numbering on top when design elements on individual pages cover that area. By default, the Master Page items will lie below any other page elements in the document. Our easy solution is achieved with the Layers palette. The InDesign Layers palette works just like it does in PhotoShop or Illustrator, and can easily solve the problem of disappearing page numbering.

Auto Page Numbering is set up on your master pages. Yet, by default, these numbers will be covered up by any page element in your document that crosses over that area. To work around this fact, create a new layer (while still on your Master Pages layout) and give it a name you will understand, such as “Top Master Items” or “Page Numbers.” With this layer highlighted, set up auto page numbering, and any other master items that you want to always be visible above any other elements. Just be sure to keep that layer on TOP, and to work on the OTHER lower layer(s) for all placement of text and graphics as you create your document.

This is a very simple set-up using Layers. However getting use to managing page numbers this way can help introduce you to the functions of the Layers palette and help you begin considering the more advanced ways it can assist your workflow. Layers can allow you to “version” your document – creating multiple, coexisting editions of your document using different languages, images or copy. For example, if you set up all your text on one layer separate from any other graphic elements, you could then create additional layers of text in Spanish and French. By toggling these layers on and off you have 3 separate language versions within the same document, all using the same imagery and design. When exporting to pdf, be sure to turn on and off the desired layers for that output.

As with most projects, having a clear plan in the beginning can sidestep a lot of annoying roadblocks later. A good idea for beginning a print project in InDesign is to plan out the scope of your design with a few answers first: the size and number of pages, margins and bleed area, facing or non-facing pages, section and page numbering and how you will use Layers to help organize your work. Of course, all of these can be altered or added after the design begins but often you will save time and work by being organized at the start.

Strive to buy your print locally! A community printer will understand communication and design, with a special emphasis on your local market. They should be able to provide you with the latest information, inspiration, technical advice, and innovative ideas for communicating your message through print, design and typography, signage, apparel, variable data printing and direct mail, integrated marketing and environmental responsible printing. If they can’t, you have the wrong printer! The best advice, always, is to ASK YOUR PRINTER!

Call us at 828.684.4512. ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your print and marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.

April 14, 2014

OUCH! ANSI Safety Signage & Graphic Design Basics

Yes, I will keep the cover closed!

Not a very attractive image but it certainly makes me want to stop and consider how not to wind up in that position. The graphic design of workplace safety signage is built around the need to be instantly understandable, not subtle or creatively compelling. They want you to get your hand out of the way – NOW! – not necessarily admire the design of the warning itself. Good design in the safety sticker world is less about aesthetics and more about what speaks universally in a loud and direct way.

So we took a look around our shop: presses, cutters, folders, inserters, laminators… all with their own safety manuals and inherent accident risks. Finding a few warning signs was no problem. As the machinery is manufactured in various places both in the US and internationally, the signage varies somewhat although most follow the recognizable ANSI guidelines. ANSI, the American National Standards Institute, is a non-profit organization that oversees standards and guidelines in nearly every economic sector. Their work helps ensure consumer safety, environmental protection, and promotes the US position in a global economy. Their standards for safety signage in the workplace were adopted by OSHA (the Occupational Safety & Hazard Administration) in 2013. These ANSI Z535 safety sign standards strive to make all safety signage more instantly understandable by combining standardized headers with explanatory text and an increased use of pictograms.

Judging by the warning signs in our shop, hands seem to be in the most danger.

Know Your Objective

Safety signage is graphic design at it’s most elemental: get instantly noticed, understood and influence behavior. Pain and the avoidance of bodily harm are generally easy selling points, so ANSI signage relies on the basics of color coding, bold typography and straightforward text. When evaluating more complex, sophisticated design projects, discerning the objective and the most straightforward means to relay that can often be a good starting point to both begin the design and later to evaluate it’s effectiveness.

Of course, there’s always that one that could use a little more work:

Adhesive vinyl labels, contour cut lettering, wide format printing, removable wall graphics and murals, floor graphics, window signage: all available from Imagesmith. ImageSmith always provides you with the latest information, inspiration, technical advice, and innovative ideas for communicating your message through print, design and typography, signage, apparel, variable data printing and direct mail, integrated marketing and environmental responsible printing. We work with you to solve any marketing problems. The best advice, always, is to ASK YOUR PRINTER. Ask Imagesmith!

Call us at 828.684.4512. ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your print and marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.

April 11, 2014

A Self-Marketing Guide for Freelancers

Establishing a successful career as a freelancer in the graphic design and marketing fields can be both incredibly rewarding and challenging. But as in any industry where contractors are plentiful, it can be difficult to separate yourself from the masses and identify how exactly you fit into the market. Fortunately, in the era of social media, self-promotion and marketing are much easier than you may think. In an effort to help all struggling, up and coming freelancers here are some self-marketing tips and strategies:

Identify Your Niche

According to It’s My Business, there are currently 10.3 million independent contractors working in the U.S. Whether you’re a writer, graphic designer, or consultant, the most important component to finding success as a freelancer is identifying your niche. In what areas do you excel? What are your weaknesses? What are you passionate about, and what are you most interested in working on? It’s critical to know the answers to such questions before you begin your freelance journey.

Create Your Own Brand

Once you’ve determined what types of services you want to offer, you can begin to shape your own brand and image. Don’t hesitate to share your expertise and enthusiasm on blogs, question boards, and other forums. Establish your name within the industry and prompt users to explore your name and website further. Consider creating a unique email extension with your own name and design a logo you can use when sending around work samples. One of your greatest resources: your local printer who wants to establish an ongoing relationship with you as you grow your business and reputation in the community. You will find no richer resource for technical, creative and promotional information.

Build A Professional Portfolio

Creating a unique and user-friendly way to display and showcase your work allows you to show potential employers just how talented you are. Though you should always be prepared to provide both digital and hard copies, building an online portfolio is crucial. You can collect your work via a blog or website, or create a digital reel of your work to present. Keep it simple without being too generic — allow your personality to shine through.

Digital Payments

Now that you’ve got a grasp on the basics, it’s time to discuss some logistics. As a freelancer, it can often be tedious and difficult to send and track invoices. Digitize your payment process by implementing mobile processing resources. This not only saves you time and frustration, but it is also incredibly easy to use for both yourself and clients. Track payments and manage accounts wirelessly all at the tip of your finger.

Utilize All Social Media Outlets

Take advantage of free social media platforms by posting links to or photos of your most recent accomplishments. Solicit your services and provide contact information for your users while maintaining a professional, eye-catching page. Consider creating social pages explicitly for professional use, and keep your personal accounts private.

Take On Pro Bono Work

Though you may not be jumping at the thought of taking on free work, such opportunities can often lead to paid gigs and/or referrals. This is also a great way to gain experience or dabble in an industry you’re not usually comfortable with. Furthermore, this give you the chance to network with potential clients for future projects – and while you gain useful experiences you also help others.

Small business entrepreneurs and talented freelancers are at the heart of Asheville and western North Carolina’s exciting economic growth – and we are committed to helping meet your marketing needs. ImageSmith is proud to be a printer in such an exciting era of digital communication. Your printer should be able to provide you with the latest information, inspiration, technical advice, and innovative ideas for communicating your message through print, design and typography, signage, apparel, variable data printing and direct mail, integrated marketing and environmental responsible printing. They should also be able to work with you to solve any difficult prepress issues with your files. If they can’t, you have the wrong printer! The best advice, always, is to ASK YOUR PRINTER. Ask Imagesmith!

Call us at 828.684.4512. ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your print and marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.

February 25, 2014

Can Your Logo Multitask? Design With Versatility in Mind.

The story may be true or may be apocryphal, but either way it illustrates a good point: The logo below was Apple’s logo until the day Steve Jobs decided they needed to order embroidered polo shirts.

That logo would never work well stitched at a small size onto your work shirt. Is your logo up to the demands of integrated marketing? Does it fly as well in print as online, stitched onto clothing, 10 feet wide on outdoor signage? While your goal is one unified brand image, that does not necessarily mean you will only have one logo for all purposes.

The logo design you tweaked and approved back on day one is really put to test when you begin to market across different media. Initially, many folks think of their logo only in terms of how it will appear on a card, letterhead or envelope – or perhaps how it will appear in full RBG color on their website home page. But when you begin to explore other marketing needs, the very design of that logo may prove to be limited, to not carry the same impact. For instance, a logo design may look great in full color, but when the day comes you need a solid white logo reversed out on a dark background as an awning over the front doorway entrance, the limitations of the design become apparent. Many times, more complex designs look great at a large scale but then don’t work well if you try to imprint them onto small promotional objects or on websites. Balance is also important – a logo with one oversized element may look fine onscreen, but when printed at a small scale the type can be illegible due to the difference in size with the larger element. The logo that looks great in full color on your website will need to work just as well embroidered on company uniforms, imprinted onto promotional keychains or ink pens, and embossed onto a formal letterhead. That initial design process needs to include the logo in all its variations.

Many brand images are designed with some built in variety to accommodate varying layouts and usage needs: for instance, your designer should offer you a “wide” version, a “tall” or “stacked” version, a version with and without a tagline or company “motto”. This set of logos will allow versatility in your marketing without altering the impact and unity of your brand image. Likewise, your designer can create your logo in the necessary range of color combinations: all black, reversed out as all white on a black or colored background, spot color versions using one or more defined PMS colors, and a full color version as both CMYK and RGB.

Famous brands like Coca-Cola employ a variety of type-styles, logos and brand images to differentiate their products and campaigns.

And the simplest part is often the one forgotten: once finalized, you will definitely want to have control of your brand by having possession of your actual logo… er, logos! Even if you do not have the software necessary to edit or change your logo, you will want to have the digital files in hand and a basic understanding of what file types you need for different outputs. Your designer and printer should be happy to supply you with these files.

Files… because there is never just one file that works for all occasions. While it is certainly not mandatory, a logo that begins it’s life as a vector is a happy logo! It can be edited, scaled, redesigned, converted, and proves to be the most conveniently versatile file type. Vector logos can be saved as a native .ai file or an .eps file. These can then be easily converted to other common file types such as .tiff, .jpg, .gif or .png. While you do not have to know all the mechanics behind each of these file extensions, you may be asked to provide specific ones. Your web designer may need a .gif or .png while your t-shirt vendor may ask for a vector file in two spot colors. With just the options mentioned in this post, your final logo set would consist of 30 separate digital files!

So, saving or exporting your logo to exist as different file types is not so difficult (well, if it begins as a vector file!) A well-designed logo will work well in spot colors, full color, reversed or as black and white. A logo that is created as part of a design package including a style manual will have its usage already thought out — work with your designer to ensure the versatility of your logo and brand, and once finalized to understand your different file types for marketing usage.

ImageSmith is proud to be a printer in an exciting era of digital communication. Your printer should be able to provide you with the latest information, inspiration, technical advice, and innovative ideas for communicating your message through print, design and typography, signage, apparel, variable data printing and direct mail, integrated marketing and environmental responsible printing. They should also be able to work with you to solve any difficult prepress issues with your files. If they can’t, you have the wrong printer! The best advice, always, is to ASK YOUR PRINTER!

Call us at 828.684.4512. ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your print and marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.

January 30, 2014

The Name Game: Acronyms, Portmanteaux and Design

A business name is, in a very real sense, the cornerstone of the brand – it both drives and anchors the graphic development of the logo, the marketing and the overall design aesthetic that evolves to represent the company. In practically all cases for the designer, the company name is perhaps the one and ONLY given at the start of the design process or refresh. While you can suggest new colors, fonts, tag lines, voice and outreach methods, it would be a rare client who would let you change their company name! So that word or words become the starting point of design and inform every decision that follows. At the start of that process, long, technical or unexciting company names tend to be altered in one of two ways.

Acronyms

In line with what seems a current linguistic obsession of reducing words to initials, many successful brands rely on acronyms to fix their name in the public’s mind. Think IBM – where International Business Machines isn’t such a catchy, sleek moniker. These acronyms become part of our language. In time, we forget, if we ever knew, what the letters stand for and simply accept the newly formed “word” on it’s own merit.

CVS – Consumer Value Stores
GEICO – Government Employees Insurance Company
IKEA – Ingvar Kamprad (company founder) + Elmtaryd (his birthplace) + Agunnaryd (his current home)
3M – Minnesota Mining and Manufacturing
UBS – originally, United Bank of Switzerland, though now the company says the letters are “no longer considered an acronym.”

Portmanteaux

Different from an acronym, a portmanteau is the combination of two or more words or parts of words (also called morphemes) and their definitions into a new word. Even the word “portmanteau” is a portmanteau – a combination of the the French words porter (to carry) and manteau (coat), with the combination of the two taking on a new definition apart from the French word porte-manteau, meaning coat rack. Anyway…

The meanings, as well as the sound of the original words, are also fused together. For instance, smoke and fog combine to form smog. The media seems to be enthralled with combining celebrity names (Lindsay Lohan is LiLo, Ben Affleck and Jennifer Garner become a new entity called Bennifer). Bromance, cankles, Frankenfood, spambot, it just goes on and on. But for marketing purposes, many successful company names were born out of the combination of sounds and meanings in this fashion.

Some combine words we all know to represent the company’s product or service, a very common trick among websites, mobile apps and the naming of pharmaceuticals:

Groupon – Group + Coupon
Instagram – Instant + Telegram
Pinterest – Pin + Interest
Travelocity – Travel + Velocity
Verizon – Veritas + Horizon
Prevacid – Prevent + Acid
Flonase – Flow + Nasal
Fruitopia – Fruit + Utopia

Others combine relevant names or products to create their new mark:

Hasbro – founders, the Hassenfeld Brothers
Adidas – founder, Adolf (Adi) Dassler
Kyocera – Kyoto Ceramics
Nabisco – National Biscuit Company
Linux – Linus (Torvalds, inventor) + Unix
Mattel – Harold “Matt” Matson and Elliot Handler

From these acronyms and portmanteaux, designers use typography as an inspirational starting point to fashion the logo and direct the brand development. The shape of the letters themselves function as design and symbolism in a way that unwieldy longer words and phrases could not. For instance, the Merle Norman logo switches the emphasis from the entire name to a graphic, art deco inspired “MN” as focal point. The typography of the acronym becomes their design.

Designers see new shapes arise from the placement of letters, or from the white space between the letters. Clever and inspired meanings are referenced from the letters when they begin to function as shapes beyond normal typography. Successful logos rely on symbolism that often works subconsciously to the viewer. The FedEx logo incorporates arrows in the negative space between the letters, a shape that often goes unnoticed. In our company name, for example, the mirror image of the “im” and “mi” merge together, a subtle symbol for the merging, fluid and integrated state of the technology and communication at which our business excels.

Whether or not your business venture uses any of these techniques in your logo and brand design, studying the way others represent themselves is instructive. Hopefully noticing the companies and products that employ this trick well – and not so well – can inspire your creativity.

ImageSmith is proud to be a printer in an exciting era of digital communication. Your printer should be able to provide you with the latest information, inspiration, technical advice, and innovative ideas for communicating your message through print, design and typography, signage, apparel, variable data printing and direct mail, integrated marketing and environmental responsible printing. They should also be able to work with you to solve any difficult prepress issues with your files. If they can’t, you have the wrong printer! The best advice, always, is to ASK YOUR PRINTER!

Call us at 828.684.4512. ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your print and marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.

January 8, 2014

9 on Design: Websites and Blogs to Inspire You

So many rich, inspirational, informative websites and blogs are now online that help keep us here at ImageSmith up to date. We have many favorites, and want to share a few in this post with the hope you find and bookmark a new resource to fire up your imagination. They are a true mixture, but one common denominator is they always help to provide inspiration and insight for design and marketing ideas.

In no certain order:

inkondapaper.com

“All things PRINT all the time.” Now with that tagline, you know we love this site. The proud creation of Chicago-based Brian Szubinski and Jason Shudy, inkondapaper is full of the latest news on print, design, direct mail, technology and more. A great resource for anyone working in or relying on the creativity and innovation of the print world.

mediabistro.com

With their tagline “the pulse of media”, media bistro is an expansive site hosting many different blogs all serving as an international resource for media professionals. Keep up with news from a variety of fields you may not have time to otherwise be an expert on such as 3D printing, mobile apps, job searches, public relations, advertising, semantic web and broadcast news.

Studiodaas Magazine or www.dnjg.be

Based in Rotterdam, this site with the cute green housefly logo is rich with stories, links, downloads and information about “design, web design, typography, web development, graphic design, photography and more…” Browse around and discover great links to tutorials on innovative typography, print projects, free font downloads. The site is well curated and geared for the progressive designer.

flavorwire.com

Live from New York, Flavorwire is a slick, up-to-the-minute website that features original reporting and critique on global cultural news. Their Twitter profile says that includes: “art, books, music, and pop culture the world over. Highbrow, lowbrow, and everything in between.” Click over on the right to the Design section for great news and inspiration about the field of graphic design.

rebento.com.pt

The blog of graphic designer Visco Duque from Lisbon, Portugal – Rebento never fails to feature innovative, fresh, cutting edge designs, photography and illustrations that are an inspiration. It feels like a world market of design, a great place to browse.

Inspirationhut.com

Modern magazine redesigns, world’s biggest sand artwork, engraved typography, paintings for the blind…. just a sample of the wonderful mixture of current articles on Inspirationhut. This online art and design “magazine” focuses on talent and inspiration, and also offers frequent font, psd, texture and other downloads that designers love to find.

youthedesigner.com

A “graphic design lifestyle blog,” youthedesigner’s focus is the design professional – so expect to find practical inspirational spotlights and interviews, news on competitions, workshops, and technology as well as freebies, contests, print templates, info graphics, and the like.

trüfblog.com

The blog of Trüf creative, an award winning design firm in Santa Monica, CA – “A Creative Studio Obsessed with Designing Better Brands.” Great sense of style and color, this blog always inspires and informs.

messynessychic.com

“Blogging on the offbeat, the unique and the chic” – articles here on fashion, culture and inspiration feel like a great find in neat corner shop. Another great place to browse.

ImageSmith is proud to be a printer in an exciting era of digital communication. Your printer should be able to provide you with the latest information, inspiration, technical advice, and innovative ideas for communicating your message through print, design and typography, signage, apparel, variable data printing and direct mail, integrated marketing and environmental responsible printing. They should also be able to work with you to solve any difficult prepress issues with your files. If they can’t, you have the wrong printer! The best advice, always, is to ASK YOUR PRINTER!

Call us at 828.684.4512. ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your print and marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.

January 7, 2014

Acclaim or Blame, Magazine Cover Designs Show the Power of Print

If I had the time, I think I would start a blog just to feature news about dramatic, controversial, catalytic, magazine cover designs. Just in the past recent weeks, the following covers have stirred up online interest:

The New York Post, well known for a penchant for crossing the line with cover headlines, angered many with a cover featuring a murdered Jewish real estate developer and the headline “Who Didn’t Want Him Dead”
The New Yorker captured both the pride and sorrow over the passing of Nelson Mandela with a moving and popular cover by artist Kadir Nelson.
Issues of body image and charges of “fat-shaming” were provoked when Elle magazine featured actress Melissa McCarthy on its Women in Hollywood issue in an oversized coat. A subsequent Mindy Kaling cover also got Elle more online heat as many considered the close-up photo of the actress to be an attempt to downplay her figure, where ‘skinnier’ stars received the full body treatment.
Just being on the first cover of the year seems to have been newsworthy as Seth Meyers graced the cover of Time this January, spawning a number of stories about his popularity and the future of late night viewing.

Major online news outlets often feature stories on current magazine or newspaper covers that either offend, surprise or inspire. Book covers certainly sell books, but magazine and newspaper covers can take extra advantage of the heat of the moment – energized by the immediacy of unfolding events in the news. Indeed, the editorial and design goal of these publications is that priceless viral buzz, and great designers are pushing the envelope of what the public will accept with dramatic and innovative images. While the power of such newsstand pulpits as the popular magazine or newspaper cover was obvious in the pre-digital era, the fact that a printed cover is news today points to a powerful quality of print. An online image can certainly stir emotions and controversy, but why is the printed image even more powerful? How has its authenticity and power crossed the digital divide to remain so effective today amid a sea of online images and news outlets?

One aspect of print that helps to explain this is the physical, tactile nature of print. The image is not just flickering onto a computer or mobile screen, but exists as a hand-held, fixed object. Holding print feels more personal and immediate – otherwise, why would a printed card seem more personal than an e-vite? Why wouldn’t a college graduate just want their diploma sent over as a pdf? Print gives a physical existence to images and messages that digital media does not provide.

Print also turns up, often uninvited, in our daily lives. It is waiting for you at the grocery store checkout, it’s image and inherent message is talking to you from the airport newsstand, coffeehouse table, doctor’s office waiting room. That physical quality of print combined with concurrent digital, online exposure is the core of successful marketing today: integrated marketing that takes advantage of both newer AND older technology.

Ink on paper, great photography or illustration and powerful design – these covers excite, enrage, encourage, offend, inspire and influence. And they certainly do sell. Check this link for a compilation of some of the most controversial covers of all time… or this compilation that shows how today’s controversies often fade very quickly to become “no big deal.”

For a superior article on the thought, design and evolution of magazine cover art and text, read this article at Salon.

ImageSmith is proud to be a printer in an exciting era of digital communication. Your printer should be able to provide you with the latest information, inspiration, technical advice, and innovative ideas for communicating your message through print, design and typography, signage, apparel, variable data printing and direct mail, integrated marketing and environmental responsible printing. They should also be able to work with you to solve any difficult prepress issues with your files. If they can’t, you have the wrong printer! The best advice, always, is to ASK YOUR PRINTER!

Call us at 828.684.4512. ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your print and marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.

January 3, 2014

Bleeding Edge: How to Properly Create Bleed Area for Print

We’ve written at ImageBlog before about how to create proper bleed area for your print files. Missing or insufficient bleed area and crop marks rank in the top three of prepress problems along with color separations and font issues. Interestingly, thanks to improved pdf creation in desktop publishing applications and the more forgiving nature of a digital printing workflow, those latter two problems are increasingly a thing of the past. But not for the old missing bleed area problem!

Bleed is any printed area that extends off the edge of the page. Presses do not print to the very edge of a sheet, so files with bleeding elements must be larger than the desired finished size and printed on larger sizes of paper, then cut down. Knowing that ahead of time, you can easily create files and export pdfs that will trim out exactly as you expect.

You might be surprised, but many folks think their printer can add a workable bleed area to most any file. In reality, some printers will attempt to make a non-bleeding file “work” without telling you the customer, in an effort to save the extra time and hassle. A file can be printed slightly larger than 100%, which will allow a slight trim area. Also, some printers will cut a file slightly smaller than the finished size – a risky move if done without your consent, but one that also will create a finished bleed edge. If the bleed is a solid color, the file can be imposed on top of a bleed area of the same color. All of these work-arounds are less than ideal solutions, and you could be charged more in prepress costs for the fix. Here’s how to create the bleed you need in your layout program.

Remember, the bleed area you define upon originally opening your new document is only the bleed area that appears on your screen as you work on your file. It IS NOT (necessarily) the bleed area that automatically ends up in the pdf file you output for print.

InDesign

InDesign makes this very simple. Set up your new document size, and at this step give yourself as much Bleed Area to work with as you want. Some folks put in 1/8″ because the actual pieces of artwork or color rarely need to extend any further off the page than that small amount. However, when you export your final pdf, go to the Marks and Bleeds Tab, choose only crop marks, then at this step add .5″ of Bleed Area to the pdf file on each of the four sides. Do NOT check the box “Use Document Bleed Settings”.

Marks and Bleed Area — Crop Marks and 1/2 inch Bleed Area

If you do, the final pdf will try to size itself to include the bleed area you put in at document setup. If that is insufficient to hold the crop marks, the pdf will auto-enlarge to accommodate the crop marks and the finished size will be something odd like 8.821 x 9.415 – not so easy to work with when imposition time comes. Keeping the math simple, if you put in .5″ at export as your bleed area, your 8.5″ x 11″ document will create a pdf that is 9.5″ x 12″ wide. Perfect for a bleed.

PhotoShop

If you design entirely in Photoshop, you need to initially create your document LARGER than the finished size. Again, keep the math simple by using .5″ extra on each side: a finished piece at 9″ x 5″ would be a PhotoShop document of 10″ x 6″. You can add the crop marks yourself, or simply tell your printer that the bleed area is there and let them add the correct crop marks for final cutting. The important part is to have the actual bleed area on there!

Illustrator

If you work in Illustrator to create your final print files or pdfs, simply choose File – Save As and then choose pdf/x-1A. Just like in InDesign, go to the Marks and Bleeds tab, turn on crop marks and allow a .5″ bleed on all four sides of the finished pdf file. If you submit a native Illustrator file or eps, you can also add crop marks around an object by choosing Object – Create Trim Marks. Just be sure your Artboard is large enough to accommodate those marks.

ImageSmith is proud to be a printer in an exciting era of digital communication. Your printer should be able to provide you with the latest information, inspiration, technical advice, and innovative ideas for communicating your message through print, design and typography, signage, apparel, variable data printing and direct mail, integrated marketing and environmental responsible printing. They should also be able to work with you to solve any difficult prepress issues with your files. If they can’t, you have the wrong printer! The best advice, always, is to ASK YOUR PRINTER!

Call us at 828.684.4512. ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your print and marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.