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Font Fail: How Not to Design a Wedding Invitation

 

(source)

An interesting print/design item from the gossip world… Levi Johnston’s wedding announcement. You remember Levi – former fiancé of Bristol Palin, father of their son Tripp. Well he recently wed Sunny Oglesby, mother of his second child, Breeze. And while we wish them well in their new marriage, there’s not a lot of hope for their wedding invitation – a textbook lesson in bad design.

Now, I have to admit it’s much easier to be critical than creative. But at the same time, a sound critique is a great tool for identifying and learning from what does NOT work well in print and typography. The Johnston/Ogelsby union unfortunately gives us a great learning tool. Looking more like a page from a type reference book than a formal announcement, I’m counting NINE different fonts on only nine lines! (I don’t know what’s behind the black box used to cover up the contact information, but I’m willing to bet it’s another font.) I’m a little disappointed they didn’t use Comic Sans or Papyrus.

Aside from the font disaster, the first two lines form a sentence fragment; the word “famalies” is misspelled; and I’ve never heard the term “join marriage” used quite that way. Throw in a crazy clip art spree and you’ve got Exhibit A in Typography 101’s course on how not to design. Lesson learned, right? Go easy on the fonts.

Big thanks to Rafi D’Angelo’s awesome blog So Let’s Talk About ______ for showing us this design fail, and of course the source for all things gossipy, TMZ.

 

Rely on your printer for advice and direction. They should be able to provide you with everything from encouragement and advice to complete design, layout, copywriting, production, multi-purposing and distribution of your marketing outreach. If they can’t, you have the wrong printer! The best advice, always, is to ASK YOUR PRINTER!

ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.
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3 Logo Makeovers: 3 Reasons for a Brand Refresh

Autumn must be the time of year for updating brands – there seem to be several high profile changes recently. As companies evolve and markets change, brand gurus try to reflect new attributes and appeal to new market segments through relevant upgrades to their corporate identities. Often companies that are approaching a milestone, such as an anniverary, will deem it time to update their image. Changes in the nature of the business, the marketplace, public perceptions, trends, or the company’s mission also can justify a change. Below are three recent examples of corporations that recently responded to change with just such a makeover.

Changing Consumer Demand: Arby’s

I recently wrote about Wendy’s upcoming image remake and their accompanying planned changes to their restaurants and menu. Arby’s, in the same fast-food market, has similar updates planned in their attempt to appeal to health-conscious consumers looking for fast food choices that are also healthy, organic and interesting. Responding to competition from other chains, both Wendy’s and Arby’s see the importance of updating their menus and the importance of reflecting positive changes in their image. (Read more on these changes at Arby’s in a great article from NPR.)

I’ve always enjoyed the cowboy hat in the Arby’s logo, but am not a fan of the new bevel or extruded filter on the shape now. It seems unnecessary and a little dated. The typography of the name “Arby’s” has changed to all lower case, and the apostrophe now has an odd design in it, one I assume MIGHT be representative of a meat slicer? It’s hard to tell. The new tagline, however, is “Slicing Up Freshness™.” All this emphasis on sliced meat is perhaps due to the popularity of fresh-sliced meats such as Boar’s Head and an appeal to the postive image of fresh deli sandwiches.

 

Changing Technology and Marketplace: USA Today

USA Today, approaching its 30th anniversary and in the midst of a comprehensive sea change in the very nature of newspapers and print media, has redesigned its logo/masthead in a fresh, minimalistic remake that references the original logo yet moves ahead in a versatile, modern and concise way. I really like the simplicity of this change and the appropriateness of the symbolism. The new mark evolves the dated blue globe of the original logo into a simple, large circle that will vary in color to encompass diverse news sections and topics. It has a sleeker look, similar to many website icons. The new brand and the fresh page design reference a future for the newspaper that is open to all the electronic avenues into which media will flow. (Read an excellent review of the USA Today changes at The Branding Source.)

 

Changing Internal/Corporate Structure: Duke Energy

A third inspiration for a brand redesign is when a corporation’s structure changes and grows. Duke Energy is updating its logo to reflect the acquisition of another power company, Progress Energy. You want an image that remains comfortable to consumers of both brands but relevant to the evolution of the overall business. When you view these two logos side by side with the new one, you can see the attempt to retain characteristics from both marks. The most drastic change overall is in the color palette – moving to blues and greens, probably to reflect a more earth-friendly, sustainable image in a marketplace that is increasingly attentive to such concerns.

These marketing changes illustrate the importance of keeping your brand fresh. A total redesign is generally not necessary, but unless your logo is established as a thoroughly iconic image (by that I mean you are Coke or McDonalds!), most logos and marks need to consistently be evaluated and evolve over time to avoid becoming stale and giving the public an impression you do not want. Time to get started?

ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.
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Weird Media: Art Created from 9 Strange Raw Materials

Art and sculpture created from unusual media

 

If you can paint with it, paint on it, sculpt it, or in any way configure it into an image, someone has probably already done so. At times inspiring and at times revolting (the woman who paints with vomit seemed a little too extreme for me), strange and weird media are being used by artists to create both interesting art and interesting discussions about what art can be. The list below piqued my curiosity about how such items could be used and what the results would look like. Which ones intrique you enough to follow through to the image? (Click on the link within each item to see what the artists have created and to read about their reaons why!)

Pantone® Swatches

British graphic desginer David Marsh recreates iconic album cover art using Pantone® swatches – interesting results for Nirvana’s 1991 album “Nevermind,” Patti Smith, U2… many favorites.

Bacteria

Zachary Copfer developed a photographic process that uses bacteria in a petri dish as the emulsion. Don’t worry, the photos are irradiated when finished to kill the bacteria and placed under a layer of acrylic for display.

Chewing Gum

Italian artist Maurizio Savini creates sculptures out of chewing gum. Unchewed. The pink artwork is supported on fiberglass frames, and has been exhibited all over the world.

Hands

Turning the tables on the hand creating the art, Guido Daniele uses hands themselves as the canvas to create amazing images. Daniele, an artist working in Milan, is famous for his technique of body painting, and his images are used in advertising, commercials, fashion events and art exhibitions.

Blood

Dr. Rev Mayers, an Australian tattoo artist, has created artwork done completely in his own blood.

Rat Poison Packaging

American artist Jason Clay Lewis uses d-CON rat poison and its yellow packaging to create three dimensional works of art.

Ants

Chris Trueman used over 200,000 ants to create ‘Self-Portrait With Gun’, an art work that has had offers of over $35,000.

Human Ashes

Val Thompson mixes the the ashes of a cremated body into her paint to add texture to a memorial painting. Her business is called “Ash 2 Art.”

Toast

New Zealand-based artist Maurice Bennett converts ordinary slices of toast into art. The images and portraits are striking.

As it turns out, MANY artists have been inspired to create artwork from food –– you can check out an interesting list of such ventures here. This is not a new trend.: in the 1500s, Italian painter Giuseppe Arcimboldo created portraits by forming collages of fruits and vegetables and then painting them onto his canvas.

And on a less savory note – someone, somewhere is using or has used just about every fluid the body can produce as media for their artwork. They are also using just about every body part as their brush (We’re not including the link on this one, but you can use your imagination and google what you decide on).

 

ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.

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5 Tips for Customized Holiday Greeting Cards: Keep Up the Tradition

Personalized Holiday Cards

E-cards make an impression – often not the one intended. Email messages lack the physical impact of a traditional, printed holiday greeting card sent the old-fashioned way through good old snail mail. Even with a dancing flash elf that sings your name, an e-card generally says, “This is easy, cheap and (worst of all) impersonal.” The traditional mailed greeting card can be viewed as just another piece of “junk mail,” but with personalization and a targeted approach, will be a pleasing personal reminder of gratitude during the holidays. Here are a few tips to encourage you to print and mail your holiday greetings rather than e-blast them – and hopefully save both time and money in the process since both are at a premium during the holiday season.

  • Order EARLY for the best prices AND to free up your busy schedule. Your time is even more valuable during a rushed holiday season so plan ahead, ordering by the end of October. You can also reliably schedule when the cards will be mailed out to avoid any last minute confusion.
  • If time permits, consider actually SIGNING your cards. I know, that could be a lot of work! But if your list is not up in the hundreds, a signature is manageable if you decide there is not enough time for a personal note. The extra effort can go a long way in making a card memorable and appreciated. Maybe just think of yourself as a celebrity signing autographs!
  • DESIGN a customized card that is uniquely your own. You can choose online from many high-quality cards and personalize them with your business name and your own message. If you want to invest more, design your card from scratch to fit your brand perfectly and even include variable data where each card is individualized for its recipient. Also consider branded gifts for your best customers to show your appreciation.
  • For large LISTS, save time and money by mailing with your printer or a professional mail service. You can send your snail mail at First Class rates, or realize even more savings with bulk rate postage. For a more personalized look, ask your printer or mail house about using precancelled stamps in lieu of a preprinted bulk mail indicia – the cards will look more personal and less automated.
  • CONSIDER the public’s wide variety of feelings about religious holidays. Some folks will be offended if you assume they would appreciate a card with a Christian, Jewish or other specific religious sentiment. A safe way to avoid any unintentional offense when sending to a large number of people is to choose a card and greeting that simply wishes gratitude for their business at the close of the current year, or a wish for good health and happiness in the new year.

To browse customizable designs and place your order online, visit www.imagesmith.cceasy.com, or give us a call at (828) 684-4512 to discuss more money-saving holiday options.

Print is a vital component of any successful integrated marketing campaign. It works in tandem with your website, email, signage and other outreach – yet the unique power of print lies in physically reaching the hands of your potential customers. Rely on your printer for advice and direction in the creation of all your marketing materials. They should be able to guide you in everything from copy writing to the latest technology to help get your message out… if they can’t, you have the wrong printer! The best advice, always, is to ASK YOUR PRINTER!

ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.
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Printing Custom Flyers: 7 Ideas to Get Your Money’s Worth

printed full color versatile flyers

Custom, full color flyers are a true workhorse of any solid marketing effort. They function as handouts, sales sheets, product cards, event announcements, coupons, direct mail, or invitations. Even with today’s online competitive marketplace, they remain a central, effective tool for putting into your potential customers’ hands the information you need them to have. Digital printing now allows you to customize and personlize flyers as never before for shorter runs at lower costs with very quick turnaround times.

Here are a few tips to keep in mind when designing and purchasing flyers in order to get the most bang for your buck:

Power Up Your Brand: quality graphic design is within the reach of every budget today thanks to the amazing advancements in desktop design software. Take advantage of that! Every time you are lucky enough to catch a potential customer’s eye, you want your look to be consistent and to carry the same impression. That instant of positive recognition is your brand at work. Be vigilant in making sure all your printed material coordinates with your online presence, your signage, your store displays… and a flyer is probably the easiest place to manage that look you want. Choose a printer that can assure you of the proper color match, paper choice, “look and feel” and can design everything you need with your precise brand specifications.

Repurpose as Direct Mail pieces: When you print flyers for in-store distribution or use at an event or trade show, follow up that effort with a direct mail distribution using the exact same piece. You will save printing costs by producing more at one time. Design your flyer to be a “self-mailer.” One third of the back will be a mailing panel with your return address and the mail indicia you need so that when folded and tabbed shut, it will mail at automation-compatible rates through the USPS.  Also a standard letter-sized piece of paper which is folded into thirds will fit into a regular #10 envelope along with any other pieces you want to distribute.

Consider VDP: The more personalized a direct mail piece is, the more successful. VDP, or variable data printing, uses a source spreadsheet of recipients to personalize each individual flyer you print. That can be as simple as including the person’s name in the “Dear John” salutation, to actually switching out the images within a flyer’s design, or targeting individual offers to individual people within the same printing and mailing. Remember that your database of current and potential customers is marketing gold… the more precise and detailed your spreadsheet is, the more flexibility you have in targeting specific groups with specific offers.

Connect to your website through QR codes: Ever made a QR code yourself? Go here to try it out and see how easy it is. Do people really “click” and use QR (or quick response) codes? Studies show QR code usage has exploded over the past year, and they are free to create and easy to include on your flyer, providing a link from the physical part of your marketing to the virtual. Even if someone doesn’t scan and follow the code to your website, seeing it on the product lets them know there is more to be found from you online – a fact that might influence them later on. Include the QR code!

Produce a set of matching flyers:  one each for your product lines or services, or to highlight different aspects of your offerings. When you create all of these at the same time, you will save both design and production costs, as well as ensuring a consistent branding on all the materials. They look great displayed together, or collected into a folder for sales calls.

Include a coupon: Give people a reason to hang onto your flyer. The longer it is in their possession, the stronger the impact you are making. Design an eye-catching coupon that can be torn off and redeemed. You will be able to track the results and see how effective your promotion was, whether they are redeemed online or in person. Coupons are also a good way to collect contact information from customers so they get into your database for future targeted marketing: at the very least, ask for name, address, and email on your coupon!

Be specific! Give people the information they need to know in order to do what you want them to do. Seems simple, but can so easily be overlooked! Tell them the exact price, availability, sale dates, return policy, hours of operation, delivery information, etc. If you solve any nagging questions up front, they are more likely to consider their purchase right away, or choose you over someone who’s procedures seem murky or confusing.

Rely on your printer for advice and direction in choosing and branding your promotional items. They should be able to provide you access to just about any item you can imagine. If they can’t, you have the wrong printer! The best advice, always, is to ASK YOUR PRINTER!

ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.
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Retro Page Layout – InDesign’s Ancestor Aldus PageMaker, circa 1990

Toolbox for PageMaker 4.0, before Adobe Systems purchase

1990: East and West Germany reunited as the Cold War ended. The first Persian Gulf War began when Iraq invaded Kuwait. Two new shows on TV that fall were The Simpsons and Seinfeld. Driving Miss Daisy won the Academy Award for Best Picture.

Page layout and print design software circa 1990

And this is how state-of-the-art desktop publishing and page layout software arrived. Aldus released PageMaker 4.0, complete with hard copy instruction manuals and installation software on floppy disks. Only five years old, Aldus had introduced PageMaker for the Mac in 1985, and for the PC in 1987. By 1994, Adobe Systems had acquired the company.

It seems antiquated now, but the print and design business has seen a revolution over the past two decades in techonological advancement. Somehow a box full of floppy disks seems quaint and a little reassuring. It won’t be long until our iPads and mobile apps will seem equally dated and cause us to smile.

 

Rely on your printer for advice and direction in design, print and integrated marketing. They should be able to guide you through the latest changes and introduce new technology to help get your message out… if they can’t, you have the wrong printer! The best advice, always, is to ASK YOUR PRINTER!

ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.
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Judging by the Cover: Memorable Book Cover Design

Judging a book by its cover is, in most cases, not a wise idea. But that old adage tends to diminish the importance that a cover plays in the interaction we have with a book. Judging by the cover may be unwise, but the impression a cover gives is very influential. The very mention of a book title can immediately brings to mind the image of its cover – that image becomes tied to the work, the author, the experience of reading the novel. Below are a few samples that got impressed into my memory over the years:

Book Cover Design

The Great Gatsby – F. Scott Fitzgerald

The cover was painted by Francis Cugat, and it is said that Fitzgerald was so enamored with the work (which was completed before he had finished his novel) that he incorporated it into his story. Entitled “Celestial Eyes,” it is probably one of the most iconic and best known covers in publishing history.

Enormous Changes at the Last Minute – Grace Paley

Edward Hopper’s “Compartment C, Car 293,” an oil painting of a young woman reading on a train, is a beautiful illustration for Gracy Paley’s collection of short stories, all set in New York. Once read, its hard not to see Paley’s narrator Faith as the woman on the train.

Salinger and Burgess

A Clockwork Orange – Anthony Burgess
and The Catcher in the Rye – J.D. Salinger

Such simliar covers for two very different books. The straightforward serif font in yellow on a classic crimson background reveals very little about the story inside Catcher in the Rye, yet is without a doubt inextricably tied to the story in the minds of millions of readers. Similarly Burgess’ futuristic distopian thriller could seem almost too bizarre to evoke in such a simple cover. Amazing how the simple skewing of the sans serif title diagonally across the orange background does the job wonderfully.

Examples of Book Cover Design

The Sun Also Rises – Ernest Hemingway and
Absalom, Absalom! – William Faulkner

Two favorite novels of mine – but not what I would consider great book covers. In a way, they seem lazy – almost as if someone decided “Hey, this image will work, won’t it?” But these two images are what springs to mind whenever I hear these titles. Would a better choice have made for a better reading experience as well?

Book Cover Design from Classic Paintings

It’s interesting to notice the frequency with which classic paintings by great masters, that generally have nothing to do with the novel they are chosen to represent, are so often the choice for cover designs – and are an uncannily perfect fit. Penguin Classics is one publisher that relies heavily on this technique, finding classic portraits that seem to perfectly represent the character in a novel.

 

In my opinion, the best book cover designs often lean toward simplicity and minimalism. There is something powerful in sensing the feel or meaning of a novel’s theme in just the barest of images, or color, or font placement… a simple, eloquent cover that hints at the complexity within. (Regardless of the cover, if you haven’t read the novels above, do yourself a favor and check them out. All great reads.)

 

Rely on your printer for advice and direction in design and branding decisions. They have years of experience working with the entire gamut of design trends and tastes. If they can’t help you, they will know who can! The best advice, always, is to ASK YOUR PRINTER!

ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.
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Design by committee – what do you think?

A camel is a horse designed by a committee

Old adage: a camel is a horse designed by a committee. And it’s true – good design struggles to survive the committee. In the art world, creativity is generally under the direction of one artist or auteur, occasionally it’s a collaboration or the work of a highly skilled, carefully chosen team. But in the world of graphic and commercial design, when a new product, print project or website is presented, generally a committee of people unfamiliar with design is brought together or asked for input. The result, not surprisingly, is less that it could have been. The challenge… to recognize where the committee approach lacks effectiveness and direct the project with a clear focus.

When presented with design, the committee approach starts on the wrong foot by asking the wrong question: “What do you think?” Can you imagine the financial forecast of a business being placed in front of people unskilled in finance and asking them for an off-the-cuff gut reaction at first glance? What this solicits is a round of strange, subjective reactions: “I don’t like blue.” “Why is it so busy.” “Can we put more ‘oompf’ into it?” “I want it to look more modern, but with an old-fashioned flavor.” All reactions may have some truth to them, but are unfocused, random impressions that are not guided by a sense of the overall purpose of the project.

Misstep 2 follows in the wake of these comments when the committee doesn’t really know how to process their own critique or trust their spoken and unspoken reactions. Typically, any real decision gets tabled. “Hmmmm. Let’s think about this for a while. I want to show it to a few folks.”

Now the committee expands. People go home and show the design to their spouse, their kids, their dog. They stop people at the checkout line, email it to Aunt Gladys in Pensacola, post it on Facebook. Again, the question: “What do you think?” And all of that feedback, whether pro or con, begins to color their decision on the design. It’s like crowdsourcing an opinion rather than relying on the skill and aesthetic of a design/marketing team who have worked through the process of why a design is what it is.

In this process, I often struggle with what I would call “invalid” feedback. Yes, everyone can have an opinion on how a design project “looks.” But unless they have some insight into what their reaction means, how the project can be improved, why a certain aspect fails while another succeeds, then their input is what I must deem invalid. For example, I once worked on a committee where someone’s first response to design proposals was: “I don’t like them. I can’t really tell you why I don’t like them, but I think we need to see other choices.” That is not valid feedback. It serves no purpose in furthering the work. Someone has to take the initiative and have the vision to say what they want and why.

Also, some people think the “perfect” design concept will leap out at them if they only see it. It follows that same line of thought that designers dread: “I can’t tell you what I want until I see it, I’m a very visual person.” I once encountered a client who requested a design by saying “Show us 25 or so examples and we’ll pick which ones we prefer.” 25? If only they had agreed to an unlimited budget to create that scenario.

Committees often tend to pick and pull at details rather than controlling the overall vision. They rarely see the entire picture or have all the information necessary to evaluate decisions about function and form, and the process suffers. Feedback can often be colored by the inherent power sturcture: the need to impress superiors or establish authority, to appear knowledgeable rather than uninformed, to contribute something… anything rather than be perceived as not participating. In such a situation, who is accountable if the project fails? Everyone chipped in an opinion but no one claimed to be in charge. This “anonymous” or leaderless decision making leaves no one accountable. The result? Bad design, failed projects… and another committee meeting.

So it’s clear I have no solutions here. The committee approach isn’t going away. Facing the pitfalls of the “design by committee” approach can be a good start however. Good design decisions are unique, informed “leaps of faith” that rely on an understanding of the desired aesthetic, full knowledge of a project and ultimately the bravery of making the call on what the design will be. For some great analysis of the topic check out Smashing Mag’s article “Why Design by Committee Should Die”, or another great one from Boag called “Death to Design-by-Committee.”

For help? Rely on your printer for advice and direction in making branding and design decisions. They should have years of experience to share with you. If they can’t, you have the wrong printer! The best advice, always, is to ASK YOUR PRINTER!

ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.