logo design – ImageBlog

March 16, 2021May 12, 2022

Post-Pandemic Plan: Is Now the Time to Rebrand?

Is now the time to rebrand? Sure looks that way if you judge by some of the big names taking the plunge (see below: from Burger King to Rolls Royce). And the reasons are fairly obvious. The upheaval in worldwide daily life due to the pandemic has wrought changes in individual and corporate buying patterns, needs, expenses, and supply sources at a level none of us have experienced before. Consumers shaken by economic and personal chaos in the past year will, we assume, have a pent-up demand for new products and new approaches when making purchasing decisions in the post-pandemic world. Perfect time for a rebrand, right?

Well, maybe. In the midst of turmoil, some consumers may be looking for stability and toward trusted brands that provide familiarity and dependability. A rebrand that goes too far may alienate a customer base looking for comfort and security in the familiar. Of course, this is the essential dilemma any time a rebrand is considered: how much change is too much?

We know rebranding is expensive and time-consuming. Often, the impetus to rebrand grows out of a need to make logos, brandmarks and overall marketing more “agile” and consistent across platforms — to develop a mark that displays well on screens large and small, as well as in print. Perhaps a time of historic change like now would be a good time to evaluate the pros and cons of changing up your look. (Fast Company has good advice on how to think about whether the time is right for you.)

Of course, rebranding includes MANY areas of marketing – signage, web design, social media, printwear, and on and on –but it’s true that folks look first and foremost at a logo redesign. So it’s always interesting to see how the big players are changing up their logos during this time. Below are some new looks from today’s digital marketplace (old on left, new on right):

PEUGEOT

Peugeot is seeking to bridge the divide between past and present on the eve of their big push toward manufacturing electric cars. Their latest rebrand draws on a previous lion logo – ensuring familiarity for a brand that has been around for 210 years!

BURGER KING

For the first time in more than 20 years, Burger King announced a brand-new logo, along with new packaging, uniforms, and signage. Described as “confident, simple, and fun,” the comprehensive overhaul again tries to benefit from both the familiarity of past logo designs and new simplified, digital-friendly changes.

GENERAL MOTORS

Another car manufacturer seeking to highlight its commitment to electric vehicles with a new brand is GM. Some critics think this rebrand is less than successful, but others give GM points for the “hidden” design element of an electric plug in the new shape of the lowercase “m” in the logo.

KIA

In a huge unveiling celebration in South Korea, Kia celebrated its best retail sales year ever in 2020—with a new logo for 2021. Kia also switched up for a new global tagline: “Movement that inspires.”

PFIZER

Fresh from developing one of the COVID-19 vaccines with BioNTech, Pfizer sought to rebrand with an emphasis on their switch from “commerce to science.” This is their most significant brand refresh in about 70 years. Did you recognize the DNA double-helix shape in the new brand?

ROLLS ROYCE

Rolls Royce premiered a new identity in a rebrand that seeks to move forward with digital-friendly marketing which remains true to the core identity of a luxury brand. They updated their typography and streamlined the iconic hood ornament design into the logo.

BUT CAN REBRANDING BACKFIRE?

Yes, it is a risk. When and how to rebrand — or not — is a tough call, with a lot at stake. Too much change at the wrong time can be disastrous. A slight modification may miss the mark. For example, in 2009, Tropicana removed the iconic Florida orange from their packaging for a more modern design… then reverted back after sales dropped by 20% in just one month!

Even if you decide a rebrand is not in your compnay’s best interest, the process of reaching that decision can be a great way to take stock of your image and your marketing needs. That clarity can go a long way in setting your marketing on the right track for what we hope will be post-pandemic prosperity.

Call us at 828.684.4512 for any marketing needs. As a printer, we understand communication, design, and teamwork. Your printer should be able to provide you with the latest information, inspiration, technical advice, and innovative ideas for communicating your message through print, design and typography, signage, apparel, variable data printing and direct mail, integrated marketing and environmentally responsible printing. If they can’t, you have the wrong printer! The best advice, always, is to ASK YOUR PRINTER!

ImageSmith is now partnered with Extreme Awards & Engraving – our in-house partner providing custom engraved trophies and awards for employee recognition programs, sporting events, and promotional needs. With our new sister company, we will be sharing space, resources and expertise in a collaboration designed to further provide you with one place to meet all of your marketing needs… Under One Roof! Visit them online at www.extremeae.com or call direct at 828.684.4538.

ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your print and marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.

August 26, 2020May 12, 2022

Does Your Logo Need a Digital Refresh? Rolls Royce Did.

Rolls Royce has premiered a new identity for its Motor Cars division, a successful and elegant rebrand that illustrates how to move forward with digital-friendly marketing that remains true to the core identity of a luxury brand. Marina Willer and her team at Pentagram retained the RR monogram we all know, but updated and elevated other elements in usage, mainly the “Spirit of Ecstasy” symbol you will recognize as the hood ornament on the classic automobiles.

The “Spirit of Ecstasy” figure has been flipped to be more “forward looking,” with a sleeker shape and less detail. It also has a base, highlighting its function as the car’s hood ornament. The RR monogram is unaltered.

The new typography (right) is a significant change in the new digital-friendly wordmark.

From small businesses to the big players, successful marketing is currently focused on making brands and logos “digital friendly.” Small screens and social media apps create visual perceptions differently than print. A great look in print can lose it’s vitality and impact within a smartphone app or digital ad. Designers are asked to solve this problem, yet retain continuity between the established look and style of the brand.

Below are several areas to consider when recharging a logo/brand to perform more powerfully on digital media.

COLOR: tweaking color for a more RGB-friendly environment can require one color for print, a slightly different one for digital. Some, like the PBS rebrand in 2019, went from black to a completely new electric “PBS Blue” in their digital overhaul.
SIMPLIFICATION: at small sizes or lower resolution, much detail or texture is either lost or unfortunately seems to “dirty” up the appearance onscreen.
FLATTENING: probably the most common current trend for “digitalizing” brands, removing shadows, bevels, embossing, and any 3D effects can provide a logo’s shape and color with more visual impact on digital screens. The goal here is, again, simplification for a stronger impact.
FONT CONSIDERATIONS: often typography on small screens calls out for changes in kerning, spacing and letter shapes both for readability and aesthetics. The challenge with an established brand is to remain true to the spirit of the historic typography but enhance it for greater success in digital channels. The great foundries are responding to this with the creation of multiple masters in typefaces to meet the needs of “microtype.”
OVERALL BALANCE: just like with typography concerns, the relationship of the logo, wordmark, tagline, images, copy, or any other branding elements can need to change and update for better functionality onscreen.

Every brand can benefit from a “logo review” as our online identities expand and grow. The example of Rolls Royce above shows a smooth transition that maintains the integrity of the original brand expression but allows it to function more fully in a digital environment. An example of a brand struggling with that transition is pointed out over on Creative Review in a great article about the BMW refresh.

The flat and digital-friendly BMW logo is on the right.

BMW’s well-known logo has a beveled appearance, matching the actual badge on the vehicles themselves. In trying to make a more digital-friendly logo, BMW tries to straddle both worlds by using a “flat” version for “communications” and retaining the other for use on vehicles and showrooms. Could be a confusing distraction. Both hold good inspirations for taking a new look at your current brand, logo, wordmark and marketing.

Call us at 828.684.4512 for any marketing needs. As a printer, we understand communication, design, and teamwork. Your printer should be able to provide you with the latest information, inspiration, technical advice, and innovative ideas for communicating your message through print, design and typography, signage, apparel, variable data printing and direct mail, integrated marketing and environmentally responsible printing. If they can’t, you have the wrong printer! The best advice, always, is to ASK YOUR PRINTER!

ImageSmith is now partnered with Extreme Awards & Engraving – our in-house partner providing custom engraved trophies and awards for employee recognition programs, sporting events, and promotional needs. With our new sister company, we will be sharing space, resources and expertise in a collaboration designed to further provide you with one place to meet all of your marketing needs… Under One Roof! Visit them online at www.extremeae.com or call direct at 828.684.4538.

ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your print and marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.

August 18, 2020

Optical Corrections: Designing for the Eye, not the Grid

Recently we noticed a great blog post by Ian Paget over on LogoGeek about the importance of making Optical Corrections in logo design. As he points out, most designers are trained to work from a grid pattern, aiming to achieve perfect uniformity and balance in layout and design. But too strict an adherence to the mathematical perfection of following a grid can create shapes that visually appear to be imperfect. Paget uses the great example of the Google”G” icon: when the overall shape of the G is a perfect circle, the crossstroke section appears to jut out too far to the right. Optically, the shape appears more circular with that area slightly smashed back in!

Left: Actual Google icon. Right: With “G” in perfect circle shape, making it look somewhat distorted visually.

This post goes on to point out two important phenomenon that make optical correction more easy to understand: overshoot and irradiation. Overshoot involves slightly extending certain shapes past the height or width of others in order to make them appear equal in size or weight. To the eye, a black square appears larger than a black circle of the same height and weight. Much of the art of typography depends on these optical adjustments. Irradiation is the illusion that when a shape is reversed out on a black background it often appears thicker to the eye.

Top: Overshoot is adjusting the circle to be slightly larger in order to look the same size as the square. Bottom: Irradiation phenomenon

A previous ImageBlog post covers a couple of other similar optical illusions. A repeated curved pattern along a straight line can often make the line appear like it bends. Also, side-by-side gradients can trick the eye into seeing oneas darker than the other.

Left: repeating patterns can make a straight line appear to bend. Right: side-by-side gradients can make one side seem darker.

Ultimately, the eye rules. Great design is adjusted to satisfy visual perception, not mathematical specs. WAY back in 1987, Adobe came out with a great poster that really encapsulates the philosophy of “Bending Rules.” We’ve had this up on the wall throughout the years. Though in ’87, the poster dealt specifically with typography and typesetting, the same truth applies to all design. Rules are there for a reason, and are necessary for learning the basics, but perhaps the biggest rule of all is to design for the eye.

1987 Adobe poster on bending the rules of typography

“Perfect typography must be unorthodox typography. It may mean using wrong fonts, cutting hyphens in half, using smaller punctuation marks, in fact, doing anything that is needed to improve the appearance of typography…In short, there should be no rule except to make typography pleasing to the eye.” — Aaron Burns

Call us at 828.684.4512 for any marketing needs. As a printer, we understand communication, design, and teamwork. Your printer should be able to provide you with the latest information, inspiration, technical advice, and innovative ideas for communicating your message through print, design and typography, signage, apparel, variable data printing and direct mail, integrated marketing and environmentally responsible printing. If they can’t, you have the wrong printer! The best advice, always, is to ASK YOUR PRINTER!

ImageSmith is now partnered with Extreme Awards & Engraving – our in-house partner providing custom engraved trophies and awards for employee recognition programs, sporting events, and promotional needs. With our new sister company, we will be sharing space, resources and expertise in a collaboration designed to further provide you with one place to meet all of your marketing needs… Under One Roof! Visit them online at www.extremeae.com or call direct at 828.684.4538.

ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your print and marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.

November 1, 2016

Big Dog Love: the Canine as Logo and Brand Mascot

Brands make lucrative use of the visual and emotional appeal of animals in their design strategies – perhaps the epitome of the brand “mascot” is man’s best friend himself: the lovable dog. Remember the terrier on RCA Victor‘s record labels with the title “His Master’s Voice”? Dogs are a natural fit for a surprisingly wide range of enterprises, from beer to high finance – and the reason is pretty clear. Dogs have an almost universal appeal as faithful companions, loyal and fierce protectors, and they share a nature that is intelligent, calming, comforting, and speaks of home and hearth.

Those warm and fuzzy canine qualities are a valuable fit in the branding strategy of many businesses, and not just for vet clinics, pet shops or animal services. This blogpost looks at a few local Asheville and western NC ventures that make creative use of canine appeal extending beyond the field of animal care.

Beer

Probably the only thing more popular than our beloved pets in WNC is beer. The business of craft brewing has boomed internationally over recent years, and the dog makes frequent appearances in both the names and logos of breweries and of their specific beers. Red Dog, Blue Dog, Mad Dog, Flying Dog… its a long list. Just Google “beer, logo, dog” to get a feel for the popularity of this trend. Locally, canine-friendly Asheville Brewing Company has a great offering in their Lemon Space Dog Wheat, a wheat ale with lemondrop hops.

Sanctuary Brewing Company in Hendersonville, NC is ” a nano brewery and tap room committed to enriching the lives of humans through our excellent craft beer, and benefiting animals through local advocacy.” The owners work with local shelters and animal advocacy groups as part of their mission to rescue and benefit animals in the area. A great combo!

Pink Dog Creative

Art studios and retail space in Asheville’s booming River Arts District, Pink Dog Creative uses just that – the shape of a large, tooth-baring pink dog as it’s logo. The huge pink dog on the buildings wall mural has become symbolic of the resurgence of the River Arts District and of the role the arts have played in Asheville’s success.

Plum Dog Financial

A dog represents trust and dependability, as well as the idea of home. That is why you see a dog in the logo and marketing of Plum Dog Financial, mortgage brokers and financial experts located in the Montford neighborhood downtown. Creatively, its a natural fit and definitely works to bring the potentially distant and unfriendly world of finance down to a personal, approachable level. Smart marketing!

The Park on Main Hotel

A 24-suite luxury hotel in Highlands, NC, The Park on Main Hotel cleverly uses the image of a scottish terrier in their print and social media branding. And what a perfect fit – the hotel is a pet-friendly business marketing specifically to pet owners. The idea of the loyal family dog emphasizes a comfortable, home-away-from-home atmosphere that all hotels desire. The terrier, Mr. Pickles, even has his own Twitter feed and proves to be the ideal mascot.

Is your own pet primed to be your small business mascot? If you had to choose an animal to represent your business, which would be the best fit? Perhaps there is a creative connection there that would work well for your marketing strategy. If that brings up any ideas for you, talk to your printer about where that could lead: anything from a seasonal promo idea to a brand refresh or redesign. Remember, if you have the right printer they are your marketing consultant and specialist as well!

Call us at 828.684.4512 for any marketing needs. As a printer, we understand communication and design. Your printer should be able to provide you with the latest information, inspiration, technical advice, and innovative ideas for communicating your message through print, design and typography, signage, apparel, variable data printing and direct mail, integrated marketing and environmentally responsible printing. If they can’t, you have the wrong printer! The best advice, always, is to ASK YOUR PRINTER!

ImageSmith is now partnered with Extreme Awards & Personalization – our in-house partner providing custom engraved trophies and awards for employee recognition programs, sporting events, and promotional needs. With our new sister company, we will be sharing space, resources and expertise in a collaboration designed to further provide you with one place to meet all of your marketing needs… Under One Roof! Visit them online at www.extremeae.com or call direct at 828.684.4538.

Call us at 828.684.4512. ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your print and marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.

July 11, 2016October 14, 2021

Asheville Blues: Color Choice in Local Branding

Color is one of the foundational elements of graphic design and visual marketing both in print or online. Pondering color choice in the brands that surround us and the possible reasons behind those choices can be enlightening – so over a few occasional blog posts we will take a quick look at the local Asheville area and check out who feels blue, wants you to see red, and so on. Now about blue…

Blue is a winner worldwide in the “what is your favorite color” category. And while colors can shift meanings across cultures (blue in America can mean sad, while in Germany, drunk and in Russia, gay), the color of the sky and the sea is so integral to life on earth that it’s popularity in logo design is no surprise. Generally speaking, dark blue can represent trust, authority, stability, intelligence – while lighter shades evoke feelings of peace, spirituality, infinity and calm.

Whose brand invests in blue on an international scale? Well the tech world certainly embraced this color: Twitter, Facebook, Pandora, Skype, LinkedIn, Google Earth, intel, IBM, HewlettPackard, Samsung… whew! The list goes on. AT&T, WalMart, Ford, and Boeing are also a few traditional powerhouses who have dressed in blue for many years.

As we discussed in our quick look at the color red in Part 1: the challenge for marketers is to choose appropriate colors to work within the context of the larger message they hope to create and the product or service that represents. It is never as simple as “blue = trust.” Blue doesn’t draw more customers then red to trust one company over another. But blue, when used in the appropriate context, can help successfully attach specific feelings and energy to the experience of a brand. (For a clearer, more thorough discussion on that, here’s a great article about the importance and complexity of color in marketing.)

All this can begin to sound like a lot of psychological hoo-ha (a technical term) except for the fact that as humans we react emotionally to color, and we recall a set of connoted meanings attached to that visual experience. Smart marketing uses this to advantage through consistent branding, establishing a positive connection and memory through color.

So who chose blue in the Asheville area to speak for their business or organization? A lot of successful folks rely on the cleanliness, coolness and dignity of beautiful blue:

It’s no secret that Asheville itself has been a desirable destination both for tourists and new residents, and the city itself is branded with blue. In print media, PMS 661 is Asheville’s color – a dark, rich blue that leans toward the royal side. Blue is an obvious fit for an area nicknamed “Land of the Sky” and located at the heart of the Blue Ridge Mountains.

Two things that definitely say “Asheville” are beer and Tourists’ baseball. Both brand with blue. The Asheville Brewers Alliance promotes craft beer and breweries in Western North Carolina, representing by my count 36 local breweries! The Asheville Tourists are the local minor league baseball team, a farm team of the Colorado Rockies. They’ve been a part of Asheville as far back as 1897.

Education in our local area thrives on the blues! The Bulldogs of UNC Asheville brand with PMS 654. But other shades are also used for the Asheville School, Montreat College, Warren Wilson in Swannanoa, Mars Hill in nearby Madison County and South College Asheville. Blue clearly must stand for fine education and a commitment to scholarship.

When blue is part of your name, it’s pretty obvious that blue stands a good chance of being in some, if not all, of your logo and branding. The Blue Ridge Mountains themselves lend both their name and color to local professional enterprises like Blue Ridge Orthodontics, Blue Ridge Bone & Joint, and many other medical and dental practices. Another example, the Blue Dream Curry House is a natural for blue. The downtown high-rise Hotel Indigo uses a whole palette of colors in their stylish branding, but with a name like Indigo, it includes a deep blue as well.

Blue works across the gamut of businesses in successful branding: from the popular eatery Sunny Point Cafe in West Asheville to the pro bono legal experts at Pisgah Legal Services. Asheville Savings Bank, first chartered in 1936, uses trustworthy blue as well.

And of course, we’re a fan of blue around here, too – specifically PMS 549.

Call us at 828.684.4512 for any marketing needs. As a printer, we understand communication and design. Your printer should be able to provide you with the latest information, inspiration, technical advice, and innovative ideas for communicating your message through print, design and typography, signage, apparel, variable data printing and direct mail, integrated marketing and environmentally responsible printing. If they can’t, you have the wrong printer! The best advice, always, is to ASK YOUR PRINTER!

ImageSmith is now partnered with Extreme Awards & Personalization – our in-house partner providing custom engraved trophies and awards for employee recognition programs, sporting events, and promotional needs. With our new sister company, we will be sharing space, resources and expertise in a collaboration designed to further provide you with one place to meet all of your marketing needs… Under One Roof! Visit them online at www.extremeap.com or call direct at 828.684.4538.

Call us at 828.684.4512. ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your print and marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.

April 27, 2016

Tips for Understanding File Types When You Buy a Logo Design

So you’re hiring someone to create a logo? Pretty important step for any business venture. When working with a graphic designer, marketing agency or full service print provider to craft your brand (or to modify an existing one), it pays to know what to expect. As with most things, a little knowledge beforehand – in this case about digital file types – can save you time and money down the road.

The design process is creative and fluid – enjoy the ride! – but in the end you are contracting for a complete set of digital files or assets that can be used reliably by you or your vendors to produce marketing across all channels with consistent, repeatable quality. Your printer needs a 4-color logo? No problem. Your sign guy wants the final version with the tag line and PMS colors? You’ve got it covered. You may not understand all the digital details of how the files were created, but you can confidently supply the required files to your vendors. A large step forward in understanding all these files is to be aware of one basic difference: pixel vs. vector

Pixel-based files are essentially images and come with limitations.

Pixel-based (or raster) files can be used for many marketing applications and are preferred for web usage and Microsoft® Office, among others. Think of them as photographs – they live as beds or layers of pixels and are resolution-dependent. If you enlarge them, they lose resolution and eventually appear fuzzy or distorted. Want to edit or amend them? Depending on how they were saved, that could be difficult if not impossible. (While PhotoShop can seamlessly work with vector objects and type, chances are your files will have been flattened or otherwise saved without those capabilities.) File types include .tif, .jpg, .png, .psd, .gif and others.

Vewctors are defined shaped, easily editable and resizable.

Vector-based files are preferred for wide format printing, spot color printing or most instances where enlargement or extensive repurposing is needed. They exist as mathematical curves and points that remain crisp when displayed at any size. Almost always, a vector file can become a pixel-based file with just a “save” or “export” from the native application – not true if going from pixel to vector. Just having a handle on this basic difference between a design created as pixels v. vectors can set you on the right track for a successful branding or marketing project. File types include .ai, .eps and .svg.

With regard to creativity, great designs and ideas come from many sources – from a team of highly educated, experienced professionals to a creative student with a sketchpad. But whomever you hire, be clear from the start that what you will receive in the end if a set of digital, editable brand essentials that will work without further cost to you for all of your marketing projects: from print to web, office applications to wide format signage. If you designer only provides you pixel-based files, they will need to give specific instructions as to how these files can be used by your vendors for large format printing, signage, and other applications. If they can’t – don’t close the deal!

Ask your designer/provider a few basic questions in the beginning: How will they create your files? What software will they use? What file types will you be provided upon completion? Will they direct you in which file types are suggested for specific usage? And hang onto those original files – we often see clients with their digital logo files lost in the shuffle over the years, which can be an expensive mistake. Any professional will be happy to explain any questions you have. Just be sure they can provide their designs to you in the formats you will need or be prepared to incur future costs in file conversion or re-creation.

WARNING: pixel-based files can be saved from photo-editing software as EPS files, so remember that just because a file has an EPS suffix, it has not been magically converted to a vector file. Also, pixel images can be placed into vector draw programs like Illustrator and saved as .AI or .EPS files. Still, not vector!

Call us at 828.684.4512 for any marketing needs. As a printer, we understand communication and design. Your printer should be able to provide you with the latest information, inspiration, technical advice, and innovative ideas for communicating your message through print, design and typography, signage, apparel, variable data printing and direct mail, integrated marketing and environmentally responsible printing. If they can’t, you have the wrong printer! The best advice, always, is to ASK YOUR PRINTER!

ImageSmith is now partnered with Extreme Awards & Personalization – our in-house partner providing custom engraved trophies and awards for employee recognition programs, sporting events, and promotional needs. With our new sister company, we will be sharing space, resources and expertise in a collaboration designed to further provide you with one place to meet all of your marketing needs… Under One Roof! Visit them online at www.extremeap.com or call direct at 828.684.4538.

September 28, 2015

Seeing Red in Asheville – Color Choice in Logo Design

Color is one of the foundational elements of graphic design and visual marketing both in print or online. Pondering color choice in the brands that surround us and the possible reasons behind those choices can be enlightening – so over the next few blog posts we will take a quick look at the local Asheville area and check out who feels blue and who wants you to see red. Speaking of red…

Why choose red? Major corporations spend millions branding themselves, and you can bet the color of their logo is no random choice. Target, Coca-Cola, Adobe, Nike, Xerox and a host of other international enterprises look to the color red to identify and represent their essence in our minds. What is the message of red?

The current consensus on what red “means” traces back to the common experience we all share from nature of the color: fire and blood. Emotions associated with those two elemental red sightings center around, at least in western cultures, love, passion, intensity, aggressiveness, emotion, excitement, urgency and power. At the same time, marketers have to consider that every positive reflects its opposite or negative interpretation. For red, that includes danger, warning, injury and, from our experience in traffic, the need to STOP!

Subtle changes in the color can build new meanings: a shift toward burgundy can symbolize more warmth, experience, tradition or calmness; a lean toward light red and the emphasis shifts toward the attributes of pink, which include femininity, playfulness, affection or joy. Combinations with other colors increase and fragment the experience in increasingly creative ways.

All this can begin to sound like a lot of psychological hoo-ha (a technical term, no doubt) except for the fact that as humans we react emotionally to color, and we recall a set of connoted meanings attached to that visual experience. Smart marketing uses that to advantage through consistent branding, establishing a positive connection and memory through color.

So how does a brand call upon one perception of a color and not others, bearing in mind each consumer has individual tastes and preferences? The challenge for marketers is to choose appropriate colors to work within the context of the larger message they hope to create and the product or service that represents. It is never as simple as “red = power.” Red doesn’t sell more widgets than blue. But red, when used in the appropriate context, can help successfully attach specific feelings and energy to the experience of a brand.

So who chose red in the Asheville area to represent their business or organization? A lot of successful folks let red stand up for them with all its passion, intensity and aggression:

Different shades of red, but all making a strong statement: cyclist advocacy group Asheville on Bikes, Chef Anthony Cerratos’ Strada Italiano restaurant, Architect Robert M Todd’s Red House Architecture, Lexington Avenue eatery Mela Indian Restaurant, the world’s largest self-pour bar Pour Taproom, the Citizen-Times’ Asheville Scene website and publication, and the downtown institution Tops for Shoes. Aggressiveness, intensity, love, passion, excitement… all in line with the natural properties of how we experience red.

Red shares an equal spotlight with black in these well-known local brands: Asheville’s own 12 Bones Smokehouse, ABYSA – the Asheville Buncombe Youth Soccer Association, the Asheville Grown Business Alliance of independent businesses, and Loving Food Resources, the food pantry for persons living with HIV/AIDS or in hospice care.

Combining red with yellow or orange is an analogous color combination that further uses the palette of colors from fire. This combo calls to mind warmth, the sun, the hearth. It is a popular combo locally: New Belgium, the original Barley’s Taproom & Pizzeria, Mamacita’s Mexican Grill, Asheville Brewing Company pub, restaurant and theater, and Haywood Road’s West End Bakery.

Straying away from the regular PMS 185 or 486 reds are a few other local brands that tend more toward burgundy or a wine color: Brother Wolf Animal Rescue, East Asheville’s The Social bar and restaurant, AB Tech Community College and the home of local hard-hitting journalism, The Asheville Blade.

Need some more red inspiration? Here’s a great list of over 70 new, creative logos that prove the marketing power of red. We will follow up with an eye out for another local color in our next blog post.

Call us at 828.684.4512 for any marketing needs. As a printer, we understand communication and design. Your printer should be able to provide you with the latest information, inspiration, technical advice, and innovative ideas for communicating your message through print, design and typography, signage, apparel, variable data printing and direct mail, integrated marketing and environmentally responsible printing. If they can’t, you have the wrong printer! The best advice, always, is to ASK YOUR PRINTER!

ImageSmith is now partnered with Extreme Awards & Engraving – our in-house partner providing custom engraved trophies and awards for employee recognition programs, sporting events, and promotional needs. With our new sister company, we will be sharing space, resources and expertise in a collaboration designed to further provide you with one place to meet all of your marketing needs… Under One Roof! Visit them online at www.extremeae.com or call direct at 828.684.4538.

Call us at 828.684.4512. ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your print and marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.

April 17, 2015

Hillvetica? Branding and Design in Presidential Politics

All political opinions aside…

Political campaigns are great case studies in marketing – what works, what doesn’t, and how organizations with HUGE sums of money choose to distribute it across their marketing channels. As the 2016 presidential race kicks off a full year and a half before the actual election, we notice that “branding” and logo creation for campaigns seems to have taken on immediate importance in a way not seen in previous elections. Faster than ever, the candidates have realized the power and influence of a well-recognized, branded campaign logo. We’ll just stick with a quick look at two:

Michael Beirut and his creative team at Pentagram had the pleasure – and pressure – of designing the Hillary Clinton campaign logo. Immediately upon release the blue H with a red arrow received a huge amount of scrutiny, much of it critical, and within a couple of days it had morphed into its own typeface. Designer Rick Wolff created the arrow-laced, all caps font and appropriately called it: Hillvetica.

Over on the other side of the aisle, the Marco Rubio campaign is emphasizing an American focus with a map of the nation serving as the “dot” on the “i” in Rubio. Opinions again run the gamut on the design, just like they do on all the candidates. Some feel the fact that the map omits Alaska and Hawaii is a definite drawback. WIRED magazine points out that the phenomenon of “crowdsmashing” – or the viral “piling-on” of criticism through social media – brings huge amounts of attention to a campaign, political or otherwise. In a politically charged effort, to ultimately be seen and heard is pay dirt – the attention itself, whether good or bad, can be the goal.

One very practical design consideration in comparing these two logos: the Rubio mark does not resize as easily as the “H arrow” does, which is important as the campaigns develop both online and in print. The Rubio map will virtually disappear if used as a Twitter avatar or icon on mobile apps. The simplicity of the Clinton mark lends itself much more easily to multi-channel marketing – always a consideration when crafting your business logo today.

The importance of a well-defined brand and logo for all the presidential campaigns is reinforced as each candidate steps forward and is greeted with the resulting online critique of their look. Political marketing for 2016 certainly spotlights the importance big players place on the smart crafting of a solid brand.

Call us at 828.684.4512 for any marketing needs. As a printer, we understand communication and design. Your printer should be able to provide you with the latest information, inspiration, technical advice, and innovative ideas for communicating your message through print, design and typography, signage, apparel, variable data printing and direct mail, integrated marketing and environmentally responsible printing. If they can’t, you have the wrong printer! The best advice, always, is to ASK YOUR PRINTER!

ImageSmith is now partnered with Extreme Awards & Engraving – our in-house partner providing custom engraved trophies and awards for employee recognition programs, sporting events, and promotional needs. With our new sister company, we will be sharing space, resources and expertise in a collaboration designed to further provide you with one place to meet all of your marketing needs… Under One Roof! Visit them online at www.extremeae.com or call direct at 828.684.4538.

Call us at 828.684.4512. ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your print and marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.

December 31, 2014

2014: ImageBlog’s Year in Print, Design & More

Another year in the rearview mirror. Imageblog – our online newstand of conjecture, knowledge, experience and opinion about print, design, marketing, technology and sustainability – takes the last day of a busy year to glance back at the topics we touched on in the past 12 months. Editorially, we strive to cover topics of interest to graphic designers, print buyers and small business owners involved in empowering their brand through effective marketing. With a year-end overview, we notice a few trends in our blog:

Creative Cloud: Adobe’s Cutting Edge

Adobe moved us all to the cloud in 2014 with new versions of all our favorite software programs, new features available only in the cloud-based apps, and new ways to share, collaborate and learn interactively. Keeping up with the CC innovations could be a time-consuming job this year, but thankfully Adobe did it’s typical stellar job of integrating new tools and features in an intuitive, user-friendly interface. In June, we discussed issues relevant to print designers when Upgrading to Adobe CC and settling into the new stand-alone versions of InDesign, PhotoShop and Illustrator. Another article focused in on the changes for Illustrator, which included a reworked pen tool, pencil tool and “Live Corners.” For InDesign, we took a look at how to Auto Generate QR Codes with Data Merge (which seemed unthinkable a few years ago), the wonderful new Color Theme tool, and the evolution of Kuler into Adobe Color.

Graphic Design Tips & Tricks

As always, we love to share ideas that might make the life of a graphic designer or busy business owner a little easier when preparing files for print or marketing projects. This year that included blog posts on How to Properly Create Bleed Area for a print project, an easy strategy for using layers to keep auto page numbering on top of other elements in InDesign, and how to design and create mock-ups of product labels. We’re always on the lookout for blogs featuring great prepress tips, and are happy to share new ideas and secrets as we learn them.

Multichannel, Integrated & Diverse Marketing

Successful marketing relies more than ever on using multiple channels to reach your audience with your message and brand: print, mail, web, social media, signage, promotional products, and more. Posts this year included tips on creating engaging video content, promoting small business online, custom embroidery and screen printing, and some interesting stats on the profitability of multichannel marketing. Another post covered the importance of logo design with versatility in mind – because that logo has to work across every marketing channel.

In Memoriam

Time flies – and as it does we note the passing of great leaders in the design and print world, as well as the passage of trends and techniques in a quickly changing field. This past year, ImageBlog posted a remembrance of Al Feldstein, the well-loved and long-time editor of MAD magazine, as well as one on the great Massimo Vignelli, who almost single-handedly brought the European modernist aesthetic to American design. We also took a curious look back at some vintage artifacts from our own pre-digital Prepress Department.

Who’s Doing It Right: Great Design in the Real World

It’s always fun to discuss and learn from great design and marketing out there in the big leagues. This year we highlighted how the Traveler Beer company is using some quirky mustaches and our love of selfies to promote their Shandy beer beverages in the US. We also too a SFW look at Showtime’s “Masters of Sex” logo and the potentially touchy subject of sex, typography and marketing. In other posts we looked at the clever and controversial nature of magazine cover design, trends in choosing an actual brand or company name, and a list of design blogs that we have found inspiring.

Cheers to a great and exciting 2015 ahead. We wish you enormous success with your small business marketing ventures as we all continue to learn and innovate.

Call us at 828.684.4512 for any marketing needs. As a printer, we understand communication and design. Your printer should be able to provide you with the latest information, inspiration, technical advice, and innovative ideas for communicating your message through print, design and typography, signage, apparel, variable data printing and direct mail, integrated marketing and environmentally responsible printing. If they can’t, you have the wrong printer! The best advice, always, is to ASK YOUR PRINTER!

ImageSmith is now partnered with Extreme Awards & Engraving – our in-house partner providing custom engraved trophies and awards for employee recognition programs, sporting events, and promotional needs. With our new sister company, we will be sharing space, resources and expertise in a collaboration designed to further provide you with one place to meet all of your marketing needs… Under One Roof! Visit them online at www.extremeae.com or call direct at 828.684.4538.

Call us at 828.684.4512. ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your print and marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.

November 6, 2014

Adobe Shape CC: Create Vector Artwork with your Mobile Phone’s Camera

If you’re a business owner, you know that great creative sells. Whether it’s banners, business cards or an eBlast for an event, you want the presentation to be top-notch. But, getting great artwork can be expensive and time consuming. With seemingly limitless amounts of apps being released daily, Adobe is hitting the app industry hard with their new Adobe Shape CC. Even without the entire Creative Cloud suite of tools, anyone can catch and share inspiration for designs in a vector format right from a mobile phone.

What It Does

Marketed with the tagline, “Where ideas take shape,” the app allows users to choose a shape they like and want to use in their design. All they have to do is take a picture of the shape with their iPhone, and the app turns the shape into vectors, or editable, resizable graphics. Extremely user friendly, you aim your phone’s camera at the object you want to capture, adjust the view, then use your finger to swipe away any detailing or lines that you do not want the photo to capture. This means that whatever you take a picture of can be morphed into a graphic shape that you can edit. It is like having Illustrator’s Live Trace feature available at all times from your phone!

Now on Mobile Devices

For those who have used Adobe applications on a desktop or laptop, the new app brings many of those familiar features and functions to the palm of your hand. If you find a shape you want, you can instantly capture it on your iPhone, save it and edit it with literally a few swipes. The app also allows users to import existing photos from your iOS camera roll and save to Adobe’s Creative Cloud.

By saving the image, Adobe turns your picture into a vector, and you can easily edit on your computer, tablet, smartphone or any device that allows you to plug in your Adobe ID. Additionally, you can save your images to Creative Cloud Libraries so you can work on your project at home, at the office or on the go. With the cloud library, you also can work on your project in Shape’s sister apps such as Adobe Brush, Color, Draw and – best of all – Illustrator.

How Businesses Can Use It

This gives users as well as businesses a way to create and edit an intricate shape without actually having to draw one. For those without creative help, the app can serve as your artist. For those who do have a creative team developing their artwork, Adobe Shape CC is great for inspiration and tight-deadline projects. By making any shape editable, designers can go in and manipulate the shape without spending time drawing it from scratch. Not only does this save time, it gives employees who would not normally be able to come up with a creative concept, a chance to flex their artistic muscle without picking up a pencil.

Call us at 828.684.4512 for any of your marketing needs. As a printer, we understand communication and design. Your printer should be able to provide you with the latest information, inspiration, technical advice, and innovative ideas for communicating your message through print, design and typography, signage, apparel, variable data printing and direct mail, integrated marketing and environmentally responsible printing. If they can’t, you have the wrong printer! The best advice, always, is to ASK YOUR PRINTER!

ImageSmith is now partnered with Extreme Awards & Engraving – our in-house partner providing custom engraved trophies and awards for employee recognition programs, sporting events, and promotional needs. With our new sister company, we will be sharing space, resources and expertise in a collaboration designed to further provide you with one place to meet all of your marketing needs… Under One Roof! Visit them online at www.extremeae.com or call direct at 828.684.4538.

Call us at 828.684.4512. ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your print and marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.