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Font Fail: How Not to Design a Wedding Invitation

 

(source)

An interesting print/design item from the gossip world… Levi Johnston’s wedding announcement. You remember Levi – former fiancé of Bristol Palin, father of their son Tripp. Well he recently wed Sunny Oglesby, mother of his second child, Breeze. And while we wish them well in their new marriage, there’s not a lot of hope for their wedding invitation – a textbook lesson in bad design.

Now, I have to admit it’s much easier to be critical than creative. But at the same time, a sound critique is a great tool for identifying and learning from what does NOT work well in print and typography. The Johnston/Ogelsby union unfortunately gives us a great learning tool. Looking more like a page from a type reference book than a formal announcement, I’m counting NINE different fonts on only nine lines! (I don’t know what’s behind the black box used to cover up the contact information, but I’m willing to bet it’s another font.) I’m a little disappointed they didn’t use Comic Sans or Papyrus.

Aside from the font disaster, the first two lines form a sentence fragment; the word “famalies” is misspelled; and I’ve never heard the term “join marriage” used quite that way. Throw in a crazy clip art spree and you’ve got Exhibit A in Typography 101’s course on how not to design. Lesson learned, right? Go easy on the fonts.

Big thanks to Rafi D’Angelo’s awesome blog So Let’s Talk About ______ for showing us this design fail, and of course the source for all things gossipy, TMZ.

 

Rely on your printer for advice and direction. They should be able to provide you with everything from encouragement and advice to complete design, layout, copywriting, production, multi-purposing and distribution of your marketing outreach. If they can’t, you have the wrong printer! The best advice, always, is to ASK YOUR PRINTER!

ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.
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3 Logo Makeovers: 3 Reasons for a Brand Refresh

Autumn must be the time of year for updating brands – there seem to be several high profile changes recently. As companies evolve and markets change, brand gurus try to reflect new attributes and appeal to new market segments through relevant upgrades to their corporate identities. Often companies that are approaching a milestone, such as an anniverary, will deem it time to update their image. Changes in the nature of the business, the marketplace, public perceptions, trends, or the company’s mission also can justify a change. Below are three recent examples of corporations that recently responded to change with just such a makeover.

Changing Consumer Demand: Arby’s

I recently wrote about Wendy’s upcoming image remake and their accompanying planned changes to their restaurants and menu. Arby’s, in the same fast-food market, has similar updates planned in their attempt to appeal to health-conscious consumers looking for fast food choices that are also healthy, organic and interesting. Responding to competition from other chains, both Wendy’s and Arby’s see the importance of updating their menus and the importance of reflecting positive changes in their image. (Read more on these changes at Arby’s in a great article from NPR.)

I’ve always enjoyed the cowboy hat in the Arby’s logo, but am not a fan of the new bevel or extruded filter on the shape now. It seems unnecessary and a little dated. The typography of the name “Arby’s” has changed to all lower case, and the apostrophe now has an odd design in it, one I assume MIGHT be representative of a meat slicer? It’s hard to tell. The new tagline, however, is “Slicing Up Freshness™.” All this emphasis on sliced meat is perhaps due to the popularity of fresh-sliced meats such as Boar’s Head and an appeal to the postive image of fresh deli sandwiches.

 

Changing Technology and Marketplace: USA Today

USA Today, approaching its 30th anniversary and in the midst of a comprehensive sea change in the very nature of newspapers and print media, has redesigned its logo/masthead in a fresh, minimalistic remake that references the original logo yet moves ahead in a versatile, modern and concise way. I really like the simplicity of this change and the appropriateness of the symbolism. The new mark evolves the dated blue globe of the original logo into a simple, large circle that will vary in color to encompass diverse news sections and topics. It has a sleeker look, similar to many website icons. The new brand and the fresh page design reference a future for the newspaper that is open to all the electronic avenues into which media will flow. (Read an excellent review of the USA Today changes at The Branding Source.)

 

Changing Internal/Corporate Structure: Duke Energy

A third inspiration for a brand redesign is when a corporation’s structure changes and grows. Duke Energy is updating its logo to reflect the acquisition of another power company, Progress Energy. You want an image that remains comfortable to consumers of both brands but relevant to the evolution of the overall business. When you view these two logos side by side with the new one, you can see the attempt to retain characteristics from both marks. The most drastic change overall is in the color palette – moving to blues and greens, probably to reflect a more earth-friendly, sustainable image in a marketplace that is increasingly attentive to such concerns.

These marketing changes illustrate the importance of keeping your brand fresh. A total redesign is generally not necessary, but unless your logo is established as a thoroughly iconic image (by that I mean you are Coke or McDonalds!), most logos and marks need to consistently be evaluated and evolve over time to avoid becoming stale and giving the public an impression you do not want. Time to get started?

ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.
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Weird Media: Art Created from 9 Strange Raw Materials

Art and sculpture created from unusual media

 

If you can paint with it, paint on it, sculpt it, or in any way configure it into an image, someone has probably already done so. At times inspiring and at times revolting (the woman who paints with vomit seemed a little too extreme for me), strange and weird media are being used by artists to create both interesting art and interesting discussions about what art can be. The list below piqued my curiosity about how such items could be used and what the results would look like. Which ones intrique you enough to follow through to the image? (Click on the link within each item to see what the artists have created and to read about their reaons why!)

Pantone® Swatches

British graphic desginer David Marsh recreates iconic album cover art using Pantone® swatches – interesting results for Nirvana’s 1991 album “Nevermind,” Patti Smith, U2… many favorites.

Bacteria

Zachary Copfer developed a photographic process that uses bacteria in a petri dish as the emulsion. Don’t worry, the photos are irradiated when finished to kill the bacteria and placed under a layer of acrylic for display.

Chewing Gum

Italian artist Maurizio Savini creates sculptures out of chewing gum. Unchewed. The pink artwork is supported on fiberglass frames, and has been exhibited all over the world.

Hands

Turning the tables on the hand creating the art, Guido Daniele uses hands themselves as the canvas to create amazing images. Daniele, an artist working in Milan, is famous for his technique of body painting, and his images are used in advertising, commercials, fashion events and art exhibitions.

Blood

Dr. Rev Mayers, an Australian tattoo artist, has created artwork done completely in his own blood.

Rat Poison Packaging

American artist Jason Clay Lewis uses d-CON rat poison and its yellow packaging to create three dimensional works of art.

Ants

Chris Trueman used over 200,000 ants to create ‘Self-Portrait With Gun’, an art work that has had offers of over $35,000.

Human Ashes

Val Thompson mixes the the ashes of a cremated body into her paint to add texture to a memorial painting. Her business is called “Ash 2 Art.”

Toast

New Zealand-based artist Maurice Bennett converts ordinary slices of toast into art. The images and portraits are striking.

As it turns out, MANY artists have been inspired to create artwork from food –– you can check out an interesting list of such ventures here. This is not a new trend.: in the 1500s, Italian painter Giuseppe Arcimboldo created portraits by forming collages of fruits and vegetables and then painting them onto his canvas.

And on a less savory note – someone, somewhere is using or has used just about every fluid the body can produce as media for their artwork. They are also using just about every body part as their brush (We’re not including the link on this one, but you can use your imagination and google what you decide on).

 

ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.

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Get On Your Mark: Crop Marks, Bleed Marks, Registration Marks Explained

Marks, bleeds, crops, slug

Our prepress department sees a lot of files from a lot of sources. One of the most common confusions over a fairly simple issue concerns the inclusion of crop and bleed marks and defining the bleed and slug areas of a digital print file. While it’s usually an easy fix, you can save yourself time – and additional prepress charges – by working with a clear understanding of what those little marks mean, which to use and how important their position and function can be.

When you produce a pdf file from your page layout or design program such as InDesign in the Adobe Creative Suite, you will see options on how to control the bleed area and marks on your final file. If your file is to be used on a webpage or other digital output, you generally want the file to include no marks or bleed area, naturally. But for printing, either digital or offset, if any graphic elements extend to the edge of the finished piece, you must design them to continue off the “page” and then include an extra border area to accommodate some trim. Presses and digital printers cannot truly print all the way to the edge of a finished sheet reliably over a run; the piece must be printed on larger paper and then trimmed down for a good finished product. Understanding the following terms will make it clear which boxes you need to tic on the “Marks and Bleeds” window when creating your pdf.

Defining bleed and slug areas, registration marks, crop marks

Crop Marks: are small lines offset from the edge of the finished piece that instruct where to cut or trim the final page to a finished size. These will not appear on the finished piece. You definitely need to click these on. There will be some default settings that decide how these marks look… their stroke weight and offset distance. As a general rule, do not change these defaults unless you know a specific reason to do so. Adding crop marks at this stage WILL INCREASE the dimension of your pdf – ie, you have to have extra real estate on which to place the marks. It is helpful to stay aware of the final dimensions of your pdf.

Bleed Marks: They look just like crop marks, but instead of defining the finished cut size, they define the alloted bleed area of the document. The bleed area these marks define is itself part of the printed area. Note that just like adding crop marks, they increase the dimension of your eventual pdf even further, as it now must accommodate both the bleed area and the offset bleed marks. With each set of marks you add, the dimension of the pdf increases.

Registration Marks (and Color Bars): These sit outside the printed area and are used to correlate the different colors or plates used in offset lithography. Every type of printing uses a different, or many different, versions of the registration mark. This alone is a good reason not to add it on yourself when making the pdf. My advice is to not include these marks or color bars unless your print provider prefers that you do. Your service provider will add onto their press sheet the type of mark they need in the location they need it.

Bleed area and crop marks

Bleed Area: the space you define outside the finished edge to hold the printed bleed. When you first set up your document, you can define the bleed area, but again when making the pdf you have the chance to either use or override that original definition. Many printers require at least 1/8 of an inch (.125″) minimum of ink coverage for a suitable bleed, however the defined bleed area itself can be wider. We always ask for 1/2 inch bleed area (not necessarily ink coverage, but area – meaning you do not have to fill this entire .5″ with color or images, these can stop at the 1/8″ minimum). The reason is this will accommodate the necessary bleed, the standard crop marks AND make the pdf size be a nice, easy-to-manipulate number. This can be a great time-saver. For example, a design that has an 8.5″ x 11″ finished size with .5″ bleed on all sides will create a pdf that is 9.5″ x 12″; where if you just let Acrobat put on crop marks and don’t specify a bleed area, it will render a file that is 9.08″ x 11.58″ – just enough to hold the crop marks, and to make your math difficult if you want to impose onto a larger size sheet for printing! Even worse, when creating a small size pdf such as an individual business card, and you add registration marks and page information, the resulting pdf will not only be an irregular size, it will also be off-center as it tries to make extra room at the bottom for the page info. Keep the math simple – add .5″ as a bleed area. It will hold all marks, information, and the bleed with room to spare.

Slug Area: Slug area is EVERYTHING outside the finished edge – this includes the defined bleed area and beyond. Crop marks and bleed area both live within the Slug area. You can define a larger slug area that will include the registration marks, color bars, and any other information you might want the printer to see, but that will be cut off from the finished piece. If you do not define a slug area, Acrobat will simply add on the space needed to hold the marks and instructions you have already specified, or it will use the bleed area you defined as your slug area.

 

Rely on your printer for advice and direction when creating your files. They should be able to provide you with everything from encouragement along the way to complete design, layout, copywriting, production, multi-purposing and distribution of your marketing outreach. If they can’t, you have the wrong printer! The best advice, always, is to ASK YOUR PRINTER!

ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.
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Printing Custom Flyers: 7 Ideas to Get Your Money’s Worth

printed full color versatile flyers

Custom, full color flyers are a true workhorse of any solid marketing effort. They function as handouts, sales sheets, product cards, event announcements, coupons, direct mail, or invitations. Even with today’s online competitive marketplace, they remain a central, effective tool for putting into your potential customers’ hands the information you need them to have. Digital printing now allows you to customize and personlize flyers as never before for shorter runs at lower costs with very quick turnaround times.

Here are a few tips to keep in mind when designing and purchasing flyers in order to get the most bang for your buck:

Power Up Your Brand: quality graphic design is within the reach of every budget today thanks to the amazing advancements in desktop design software. Take advantage of that! Every time you are lucky enough to catch a potential customer’s eye, you want your look to be consistent and to carry the same impression. That instant of positive recognition is your brand at work. Be vigilant in making sure all your printed material coordinates with your online presence, your signage, your store displays… and a flyer is probably the easiest place to manage that look you want. Choose a printer that can assure you of the proper color match, paper choice, “look and feel” and can design everything you need with your precise brand specifications.

Repurpose as Direct Mail pieces: When you print flyers for in-store distribution or use at an event or trade show, follow up that effort with a direct mail distribution using the exact same piece. You will save printing costs by producing more at one time. Design your flyer to be a “self-mailer.” One third of the back will be a mailing panel with your return address and the mail indicia you need so that when folded and tabbed shut, it will mail at automation-compatible rates through the USPS.  Also a standard letter-sized piece of paper which is folded into thirds will fit into a regular #10 envelope along with any other pieces you want to distribute.

Consider VDP: The more personalized a direct mail piece is, the more successful. VDP, or variable data printing, uses a source spreadsheet of recipients to personalize each individual flyer you print. That can be as simple as including the person’s name in the “Dear John” salutation, to actually switching out the images within a flyer’s design, or targeting individual offers to individual people within the same printing and mailing. Remember that your database of current and potential customers is marketing gold… the more precise and detailed your spreadsheet is, the more flexibility you have in targeting specific groups with specific offers.

Connect to your website through QR codes: Ever made a QR code yourself? Go here to try it out and see how easy it is. Do people really “click” and use QR (or quick response) codes? Studies show QR code usage has exploded over the past year, and they are free to create and easy to include on your flyer, providing a link from the physical part of your marketing to the virtual. Even if someone doesn’t scan and follow the code to your website, seeing it on the product lets them know there is more to be found from you online – a fact that might influence them later on. Include the QR code!

Produce a set of matching flyers:  one each for your product lines or services, or to highlight different aspects of your offerings. When you create all of these at the same time, you will save both design and production costs, as well as ensuring a consistent branding on all the materials. They look great displayed together, or collected into a folder for sales calls.

Include a coupon: Give people a reason to hang onto your flyer. The longer it is in their possession, the stronger the impact you are making. Design an eye-catching coupon that can be torn off and redeemed. You will be able to track the results and see how effective your promotion was, whether they are redeemed online or in person. Coupons are also a good way to collect contact information from customers so they get into your database for future targeted marketing: at the very least, ask for name, address, and email on your coupon!

Be specific! Give people the information they need to know in order to do what you want them to do. Seems simple, but can so easily be overlooked! Tell them the exact price, availability, sale dates, return policy, hours of operation, delivery information, etc. If you solve any nagging questions up front, they are more likely to consider their purchase right away, or choose you over someone who’s procedures seem murky or confusing.

Rely on your printer for advice and direction in choosing and branding your promotional items. They should be able to provide you access to just about any item you can imagine. If they can’t, you have the wrong printer! The best advice, always, is to ASK YOUR PRINTER!

ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.
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Saving Your Print Project – Seven PrePress Pitfalls, One Simple Fix

7 common mistakes in file submission for print

THE HAND-OFF:  the moment of truth in a smooth, successful marketing project comes when you transfer your digital files to your print service provider. Below are seven of the most common roadblocks that are sure to frustrate you and defeat your deadline.

FAIL #1: Giving the printer EVERYTHING. A good rule of thumb is to not give your printer any file that you do not want printed! It is tempting to try to save time in back and forth file transmissions and endless emails to just hand over every related file for a project. Often customers will drop off a disk or jump drive with all their marketing materials on it. At the design stage, this can be a good resource to have, but if your design is finalized for a specific project, you just astronomically increased your chances of getting the wrong thing printed!

FAIL #2: Missing fonts, missing links. Not gathering all the necessary digital files to print your job is really the heart of all file submission problems: missing fonts, image links, profiles – they all stop your project dead in it’s tracks. Probably the most common is missing image links. A printer will not be able to output high resolution images from an “unlinked” page layout. If they request the specific images, be aware that placing a picture onto a page in a Word document (this applies for InDesign, Quark, or any other page layout program as well) is NOT sending the actual image file. You will need to find the original file itself to send. Missing fonts will also derail your project – fonts work on the computer where your files were created because they are installed on that machine. Ship the file to another computer and the fonts will substitute to ones with which you will NOT be happy. Most layout programs now, thankfully, have a feature that allows you to package all necessary files into one bundle for printing. Also, creating print-ready pdf files will allow you to avoid all the link and font issues as the pdf can be a self-contained file suitable for print.

FAIL #3: Mixing process, RGB and spot color definitions in the same file. Color management can be a complicated process, but in general you should be aware of the “colorspace” your layout is created in and it’s intended output. Using spot or PMS colors in a design will require them to be converted at some point if you plan to print in CMYK. You can design in an RGB workspace, but be aware that colors will shift when the conversion takes place to offset or digital printing. A common mistake is also using spot or PMS colors in a file that contains transparency – ie, uses drop shadows, gradients, photo effects that incorporate transparent layers. Most programs will warn you to look out for “unexpected results.” They aren’t lying!

FAIL #4: When a different file type is requested than the one used, just change the file extension name by retyping it. Yes, this happens often! It seems like such a simple fix, but predictably, it changes nothing. A pixel-based tif or jpg file cannot automatically become a smooth, resizeable vector file just by typing a suffix onto the filename.

FAIL #5: When a vector file is needed, just drop your pixel-based image onto a page in Illustrator and save as .eps. This is similar to just changing the file extension in the name. When a vector file is required – usually for spot color separation or to be resized for smooth output at a large scale – a file type that is pixel-based will not become a vector file by simply placing it into a program that is vector-based.

FAIL #6: Supply your logo or an image by right (or option) clicking on a website and saving to your desktop …or tell a printer just to go the website for the art they need. As a rule, the resolution of any art on a website will be too low for good print quality. Just count on it.

FAIL #7: Neglect to specify a PMS color match for a specific color output that must be exact. Remember, blue is never just blue.

So, all of those are common mistakes to avoid during file submission. The good news is there is one simple fix – talk to your printer! Call them on the phone and ask for guidance in preparing and transferring your files. They will be eager to walk you through any questions or problems you encounter. The advice is free, and will most likely save you additional pre-press charges that you can incur if they have to fix or adjust your files for digital or offset output. If you are dealing with an online printer and cannot get an actual person on the phone you have discovered one of the reasons they are able to offer lower prices: low standards for customer service.

Communication is the answer – it will save you time and money. If your service provider can’t provide the needed answers or doesn’t have time to chat with you, you have the wrong printer! The best advice, always, is to ASK YOUR PRINTER!

ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.
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Writing Brochure Copy? 5 Tips to Ease the Pain.

Brochures before and after

Often the first and most lasting impression of your business comes from a company brochure. Telling the story of your business in a compelling way, visually as well as literally, the company brochure establishes who you are, how your product or service can be of benefit, and why customers should look to you for help ahead of other competitors – important stuff!

Both the design and the writing of copy for your brochure need to be done with your overall branding requirements in mind. A powerful brand must be consistent across your marketing efforts. Printed materials should consistently match your online presence, both in tone and appearance. These printed materials will connect in a way online marketing cannot — by physically placing your brand and information into potential customers’ hands, to be read at their leisure. Its physical nature establishes a sense of permanency and credibility in the public’s mind. writing brochure copy

Often we feel overwhelmed when trying to focus our thoughts about our business into the content of a brochure. Below are a few quick tips to think about as you start to prepare your brochure copy:

5 Tips to Writing Effective Brochures

Set the tone – Energetic? Cutting edge? Warm and fuzzy? Know the impression you want to leave in your customer’s mind and set the tone at the outset for the overall text of your brochure.

Be clear – How will you benefit the reader? That is what you want to state clearly and consistently. Be sure to keep their perspective in mind when you plan your content — not necessarily what is most important to you. Think from your reader’s perspective – and give USEFUL information that will benefit someone looking for the services or products you offer. If your copy lapses into “sales” talk, you may be defeating your purpose.

Get personal – Highly technical information or simply too much information bores and even alienates the reader. Your copy should be readable, relatable and enlightening without being dull. Remember that the scope of a brochure is fairly limited – you do not need to try to provide all relevant details, but rather to outline your major points with an appropriate amount of elaboration.

Get organized – Lead your reader through the information in an organized, logical way. If they get lost or confused along the way, you’ve lost your reader. Sketching out your main points in a brief outline format (yes, on actual paper!) can be a great way to get and stay on track with what you want to get across. And always end with a ‘call to action’, encouraging them to make contact for further assistance.

Make it easy – If you have done your job well, your customer will want to reach you… make that easy with a map or directions to your location, your web address, phone and fax numbers.

 

Print is a vital component of any successful integrated marketing campaign. It works in tandem with your website, email, signage and other outreach – yet the unique power of print lies in physically reaching the hands of your potential customers. Rely on your printer for advice and direction in the creation of all your marketing materials. They should be able to guide you in everything from copy writing to the latest technology to help get your message out… if they can’t, you have the wrong printer! The best advice, always, is to ASK YOUR PRINTER!

ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.
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Presentation Folders: Create a Branded Marketing Presentation Kit

Present a fresh image with branded full color folders

Every business needs a branded, high-quality, printed presentation folder to be used by all sales staff and marketers whenever making a call or attending a conference or seminar. Develop a set of innovative, interesting presentation kits all using the same branded folder and you can ensure your customers feel special when they receive this packet. The best strategy to leverage ROI:

Brand. Custom design your folder and make it be an eye-catching, classic representation of your business and your look. You can choose from many different sizes, paper types, and pre-diecut designs in order to save cost but still be unique and true to your own style.

Order a large quantity. The folders are multipurpose and can be used consistently by all staff for many purposes, thereby ensuring one look, one standard, one brand. It is the same reason UPS dresses their workforce in a recognizable uniform and why Target stores are synonymous with their large red circle logo. You want your business to maintain and further its brand recognition, and presentation folders are a great way to help establish that for yourself. By ordering a large number, you will be using them over a long period in a consistent manner.

Make it (and fill it with) something people will want to keep. A quality folder will be remembered and used by your clients, and you want them to travel home with them. Fill them with all the information you DIDN’T have time to cover in your face-to-face meeting, but also include giveaways or gifts to stimulate even more interest and use from your folders. Consider customized flash drives, key chains, pens, notepads… there are an endless variety of promotional products to make your message more powerful and successful, and to make your customer feel special.

To browse through the huge selection of presentation folders, and promotional products available, go online here. Also, check out our blog for information and ideas on branding, promotions and integrated marketing or visit our website.

 

Rely on your printer for advice and direction in choosing and branding your promotional items. They should be able to provide you access to just about any item you can imagine. If they can’t, you have the wrong printer! The best advice, always, is to ASK YOUR PRINTER!

ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.
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Retro Page Layout – InDesign’s Ancestor Aldus PageMaker, circa 1990

Toolbox for PageMaker 4.0, before Adobe Systems purchase

1990: East and West Germany reunited as the Cold War ended. The first Persian Gulf War began when Iraq invaded Kuwait. Two new shows on TV that fall were The Simpsons and Seinfeld. Driving Miss Daisy won the Academy Award for Best Picture.

Page layout and print design software circa 1990

And this is how state-of-the-art desktop publishing and page layout software arrived. Aldus released PageMaker 4.0, complete with hard copy instruction manuals and installation software on floppy disks. Only five years old, Aldus had introduced PageMaker for the Mac in 1985, and for the PC in 1987. By 1994, Adobe Systems had acquired the company.

It seems antiquated now, but the print and design business has seen a revolution over the past two decades in techonological advancement. Somehow a box full of floppy disks seems quaint and a little reassuring. It won’t be long until our iPads and mobile apps will seem equally dated and cause us to smile.

 

Rely on your printer for advice and direction in design, print and integrated marketing. They should be able to guide you through the latest changes and introduce new technology to help get your message out… if they can’t, you have the wrong printer! The best advice, always, is to ASK YOUR PRINTER!

ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.